Tag: book writing

Trust the Story Teller

You’re a writer, you know how it goes. You’ve got a million ideas in your head – story lines, plot twists, character quirks – all waiting to hit the page one of these days.  They’re like bubbles in a stew – a thick, rich stew redolent with bits and pieces of brilliant bones and perfect plot pieces. They bubble to the top and then pop. They’re gone. If only you’d had a tiny tad of time to tell them.

Recently, I drove from California to New Jersey. My task was to deliver my Outback to my daughter in Texas, and take her Prius to my daughter-in-law in New Jersey.  The Outback will handle a Texas winter better than the Prius, and the daughter-in-law just needs to shuttle her kid – my grandson – to and from daycare. Easy peasy. 

I was cruising through New Mexico, dashing down long, straight roads between breathtaking mesas and canyons and passing Indian Trading Posts by the dozen, trying to figure out the sequel to my upcoming Phineas Caswell novel.

Okay, so… what? 

That fellow ChatGPT has assured me, you see,  that August is the best time of year to release a historical fiction action/adventure/YA novel. 

Repeat: What? 

See, August is still summertime, still time to pick up a beach read, but also heading towards the school year, time to pick up some history. Something like that. See?

All fine and well. The novel is a diary, written by a cheeky 12-year-old boy in 1705, taken to sea against his will by his bumbling but well meaning uncle. Pirates, spies, war – all the good stuff.  That’s my August-release book.

But it ends on a cliff-hanger. So, there needs to be a second book. 

Flat-topped mesas whisk by the windows, shadows shoulder their way behind the deep canyon cliffs, and the next story plays out in my head. 

There is already a short story I’d previously penned that takes place in a Portuguese port. A perfect place to start the new novel.

Armed with that one scene, and with nothing to do but look out the window and keep from crashing, the story plays out in my head.

This is new for me. I usually have to write the story down to tell it. But this new story simply rolls out, logical and lovely, as I fly down the freeway like an arrow bound for Albuquerque.

Of course you can’t drive and write – the cruise control’s good, but, come on…

So it comes down to my turning to trust my inner author. Rich scenes roll before my eyes – scenes I would have to remember. Scenes I could only see in my mind’s eye, hoping they caught the attention of my thought-keeper.

Here, seven weeks later, comes the task of finally putting to paper the plans I’d poured out in northern New Mexico. The images that exploded in my eyes remained, and the story simply poured itself onto paper as real and writable as it had on the highway.

Now I have before me an outline, nothing more. Scene after scene – this thing happens, then that. It’s the structure, the bones.

It occurred to me this morning that these sentences are nothing more than writing prompts, like those offered by every website that purports to power up your inner author. 

You’re a writer. You know how it is. If someone asks you to explain why the silly snowman sits behind the bush, you know you can come up with a story. 

The prompts, the outline, are space-keepers, aren’t they? Here’s a whole book, complete in its condensed form. Like a suitcase stuffed with springs, when the time comes to write it,  you open the case, and the prompts pop out to create a full and fantastic book. 

That storyteller, aged and ancient and ever hiding inside you, will sit down by the fire to weave his words into the best book you’ve ever penned. 

Because you’re a writer.

Have faith.

I See Icy Things

You’re a writer – you know how it is. You look out the window and see the same old thing every day. Some days it’s cloudy, some days it’s not. But it’s the same. You get comfortable with it. The view out your window is part of your routine.

Yes, well. Scratch that.

The house in Southern California was a low-slung, single-storey tract house from 1963 on a concrete pad sitting on a corner lot. The views out the window included the street to the east, bordered by the neighbor’s low-slung, single-storey tract houses, the street to the south with the same, the swimming pool in the backyard to the west, and the neighbor’s identical house to the north.

This house in Woodbridge, NJ, is a two-storey wooden fella built in 1936 with a full basement and more stairs that Carter has liver pills (if you’re not of an age, Carters was a company before my time that sold liver pills. I guess they sold a lot of them, or perhaps only made a lot of them. Anyway, you have to be of an age to understand that metaphor. If you’re not of an age, I do apologize). 

From this house, the view to the east is the street, a variety of houses from a variety of eras, and, way off there between them, the treetops on Staten Island. Neighbors’ houses from the early 1900’s comprise the views to the north and south, while the view to the west includes a long, narrow backyard, a fence, a railway, and the town of Woodbridge spreading away in all its Old World charm.

Woodbridge received its charter, its permission to be a town, from King George III in 1669. That’s Old World!

In California today they’ll be hitting a clear, sunny high of 67 degrees. Over here we’ll be seeing a cloudy high of 42.

Here’s what surprised me: everything freezes here. 

Puddles from Tuesday’s rainstorm are transformed into tiny skating rinks. When you shine your flashlight on the lawn at night, the lawn flashes a million tiny fairy lights back at you, and you think perhaps you’re looking at a miniature, very busy city.

Like the view out your window, it’s the stuff you take for granted that so radically becomes something else when the temperature falls that reminds you the world is not what it seems.

Our challenge, yours and mine, is to appreciate and embrace the temporal nature of the world around us, even when it seems to be the same day after day. To look for and understand even the tiny changes that make the world, well, the world. And to let that understanding inform our writer’s minds.

That’s one challenge. For me, the more urgent challenge is to figure out how to turn off the outside faucets so they don’t blow up my inside plumbing. Another piece of the temporal world, I guess…

Hitting Pause Again

Nobody tells you anything about anything, am I right? I mean, I asked for free advice from somebody who didn’t know anything and got a ton, but it was all, like, useless. I’m actually kinda ticked…

Here’s something you didn’t know, I’ll bet. Or maybe you did know, and I am the one who doesn’t know anything. 

There’s a time of year to publish your book. Just like the little green leaves and the little buds and the birdies, yadda yadda yadda, there’s a season for your book. Can you imagine?

It’s all about the migration of people. 

You don’t publish your book at the beginning of July, for instance. Why? People migrate away from book-buying and go on vacation.

HOWEVER, you DO publish your romance in May or June, because it’s a good vacation read, and you’ll catch ‘em before they migrate away. Crazy, right?

You don’t want to publish at the end of the year. It’s the holidays and nobody’s buying books, unless you’ve got a bang-up Christmas or Hanukkah book or something. People have migrated away from reading and are all about fruitcake.

But you DO publish in January if yours is a self-help book. The people have migrated back to reading again.

My book, my original Phineas Caswell novel, a piece of historical fiction, is perfect for late August/early September, when the leaves fall and folks are ready to cozy up for a good read.

Won’t take it to the beach, won’t use it to better themselves, won’t enjoy it as a scary thriller. Nope. Historical fiction – the kids are going back to school, time to read a good, interesting piece of history. 

So, for all my book publishing plans, I have to hit the PAUSE button for a bit and wait for the year to roll around to the right spot. 

That’s okay, because I have a lot of work to do in preparing the marketing materials. But who knew there’s a CALENDAR to this stuff?

Well, if you didn’t, now you do. I didn’t, but now I do. 

Happy holidays, and put down that book. 

Hoisting Anchor, Mate

You’re a writer, you know how it goes. A project gets into your bones and the world just seems to conform around it. Wow, I wish I knew what that meant.

Since last we talked, a multiplicity of whoop-dee-doos have collaborated to turn my life into a whirlwind of chaotic synchronicities. Not sure what that means, either.

First, let’s talk about Disneyland, shall we? I went all by myself (my much better half had to work) and had a terrific time.

The writer’s story in my little adventure is a ride called Rise of the Rebellion.

Before R of the R, my idea of a fantastic ride was Indiana Jones. In that one, you’re strapped into an open SUV sort of vehicle that physically bounces around through an epic assortment of hair-breadth near misses. The SUV lurches and throws you this way and that while simulated darts zip past you and a dragon breathes real fire. Awesome, awesome stuff.

Rise of the Resistance, however, changes the entire narrative of what a theme park ride can be. This ride combines that same physicality with stunning interactive graphics, physical theatrical sets, animatronics, and live actors to actually tell a story.

And not just a story, but one that includes you as a character. You don’t just see the story. You participate in it. The ride takes a full 15 spell-binding minutes to get through.

When it was over, I took myself to the Many Adventures of the Winnie the Pooh to calm myself down. Boy, that worked. Oh bother.

After that, I rode Indiana Jones. The ride’s scenario, for lack of a better word, is told while you’re waiting in the queue. It seems a busload of tourists got lost in the jungle. Your task is to find them.

The ride is still cool, still wild, but felt like a chaotic jumble of action sequences. I was thrown about and entertained, for sure. But you have to make several logic leaps to equate the ride with the scenario. I don’t think we found anyone other than Indiana Jones.

For us writers, the message is clear: stringing scenes and episodes together doesn’t necessarily tell a story. Then again, the story might simply be wild twists and turns, which can certainly be fun all by themselves.

Then came the kid’s birthday, that young man in New Jersey who just turned a year old. A dapper little fellow with 4 teeth and the sparkling command of a language composed of the words “duh,” “oooh,” and “nah-nah.”

My wife and I both want to be the sort of grandparents that are there to take him to soccer practice and give his parents a night out every now and again. Plus, when the kid runs away from home, we’d like him to run to our house.

Well, quite by accident, we stumbled across The House, a sweet little bungalow built in 1936 just a block away from the million-dollar houses that face the Arthur Kill. That’s the kill – okay, fine, the waterway – that separates New Jersey from Staten Island. Yes, THAT Staten Island.

The price is right, but the window of opportunity is very short, like, thirty-or-so days.

You know how it is with your parents’ house – it’s nice but needs a little sprucing up? That’s our house, except we’re sort of in need of an EPIC sprucing up! Roof, flooring, kitchen, paint – I’m sure I’ve left a dozen things out.

But, once we sort all that out, we’ll be hoisting anchor, mate. Bound for the East and truly parts unknown.

That’s one journey.

Another journey is me moving from being a 9-to-5er as I’ve been for the entirety of my working career to a part-time, remote contractor. Ask my wife, she’ll tell you I’m remote already.

BUT, and this is a big but, so to speak, there is one more journey that has already begun: my new book.

I’m using my business partner, a guy to whom I refer as JaPeetey, to help me market my novel Phineas Caswell: The String of Pearls. Here’s the book’s cover:

The cover the soon-to-be-released book Phineas Caswell: The String of Pearls.

I’m still working the details, but you can see what I’m about.

ChatGPT knows how to market indie books like this. Of course it does. It draws on all the successful marketing plans to give you answers. So, I’m using Chat GPT to help me lay out the marketing steps for my book. He’s my buddy, JaPeetey.

I’ve done everything so far to self-publish my books except to do it right. Now, with this move to the hinterlands of the Wild East, I’ll have the time to focus and concentrate and follow JaPeetey’s direction.

It ain’t rocket science. It’s Marketing!

If you’d like to help out and read an advance copy, I’d be delighted to offer you a free final copy in exchange for a review. Just fill out the form below and I’ll send you a PDF right away!

Thank you so much for reading all the way down to this point. It means the world to me.

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Why Writers Shouldn’t Talk

Hey, hello! Thanks for reading along! What follows this paragraph is the transcript from a video I shot today – it will be a podcast pretty soon. What’s cool about it is that the transcription process worked… you’ll see. I shot the video and then transcribed the audio at a place called TurboScribe. You get three free transcriptions a day. Here’s what I shot…

 Transcribed by TurboScribe.ai. Go Unlimited to remove this message.

Hello, I’m writer, author, and host John D. Reinhart. And you’ve stumbled onto this moment in This Writer’s Life.

So, before we go any farther, you may wonder, what’s the difference between a writer and an author? Well, in my head, a writer writes.

You’re a writer, you write. If you’re writing a book, you’re still writing. You write the book.

It is the authorly part of you that compiles all that writing into the book. Right, it’s the organizer kind of a guy. In a website situation, nobody writes a website, they author a website.

They bring their own written work or the work of other writers, they compile it all into a website. That’s the difference.

The host part, well, me and you, we’re looking at it.

So, here’s the thing. I’m in my garage. I’m doing the laundry.

And it occurred to me what I’d really like to be doing is writing a post for my website, because I feel like I should be doing that, but I can’t because I’m doing the laundry.

So, then I got the bright idea to say, well, why don’t we go speech to text, right, and take video-audio combo and make a post out of that. So, that’s what I’m trying.

And I will tell you the truth. Speaking what you want to say is so much more difficult than writing what you want to say.

I mean, I’m a good writer. I’m not such a good speaker. And this is kind of what I found out.

You’re a writer. You put things in order. You build the sentence that you want. And you realize, eh, that’s not what I want to say. You move things around. You come up with a whole new word. Flip it around, build a whole new paragraph based on that word. That is what writers do.

But think about impromptu speakers like President Obama.

He comes out there and he right off his cuff, makes these long speeches that people write down. Because when you speak impromptuly or however you speak, that’s what you said. And you can’t go back and flip it around and change it.

That’s the big difference between speaking and writing is that, as what I find, I’m not a public speaker. I’m not an impromptu speaker. In fact, I have to tell you this truth.

I’m using a script. So, this is text to speech to text. That’s how well this works for me.

Not my dog. So, if you don’t try something new, you don’t learn anything. So, that’s my little experiment on speech to text.

No, thank you, sir. Thank you for watching. I’ll catch you next time.

 Transcribed by TurboScribe.ai. Go Unlimited to remove this message.

Yes, it’s a little weird, I know. It’s creepy to see how many times I use the word “so” when speaking impromptu, even with a script!

The upshot of this experiment, aside from a shameless plug for TurboScribe and a podcast episode, is that the spoken word works great for speakers, but us writers, we probably want to just keep on writing!

Thanks for reading along…

Fred Flintstone Calling

I’ve got this great idea, see. All’s ya gotsta do is get everybody in Uruguay to visit your site just once – they don’t even need to linger. That’s over 3.4 million views! Man, you are gonna rake in the dough!

So, the deal with Fred Flintstone – if you’re too young to know – was that he was a caveman, see, the head of a modern stone-age family. His wife, Wilma, and his neighbors Betty and Barney Rubble, lived in the town of Bedrock. A town just like yours and mine, except made out of rock.

It was a Hanna-Barbera cartoon series made in the early 1960’s and it was dopey fun.

Fred was every man’s everyman. He was living the caveman equivalent of the American Dream – good job, house in the ‘burbs, picket fence, nice ped-powered car.

A regular Joe, except that he had a penchant for making outlandish, foolproof plans to make a million clams. He was gonna quit the quarry and live the life of a millionaire, just as soon as his ship sailed.

“Barney boy, by this time tomorrow, we are gonna be livin’ like kings!”

Of course he never quite succeeded – Dino the dinosaur dog ate the proceeds, it turned out the ptero-chickens were all ptero-roosters,  Ann Margarock had to be in Rock Vegas on the night of the big event, etc.

At the end of every episode, there was Wilma, reminding him that he already had everything he needed right there in his little family. And he always sheepishly admitted she was right. “Wilma, you are the greatest…”

If you’re reading this, and I imagine you are, you probably have an inner Fred Flintstone yourself.

You’re thinking there’s always a chance, a long shot maybe, but a chance that this one, this stupid crazy-ass scheme, this could be the one. One in a million chance, but, hey, somebody’s gonna make it… Ten bazillion books get published and read every year, why not mine?

So, I recently gave up on my inner Fred. I was a little depressed, maybe. A little tired. I dunno.

I decided that this is the dish, this life o’ mine: this is my someday. Someday I’ll have a nice house in the ‘burbs and a pretty wife and 2.5 kids and a good job with a decent salary. Hey, I have all of that, so this must be it.

All righty, then, Fred. It’s been fun. Good luck with your crazy schemes. I’m hanging up the bronto-phone now – I gotta go mow the lawn.

So, I go and tell my wife, the very love of my life, that I’m hanging up my bronto-spurs, and quote that line from All Things Great and Small where Herriot tells a fellow that someday he’ll be a millionaire, and the fellow replies with “Nah, it’s not in the cards. Was I to be a millionaire, well, I’d be one already, don’t you see?”

My darling wife replies “well, let’s not be too hasty about that.”

Whoa, whoa, hold on, there. That’s a Fred Flintstone line, not a Wilma line! YOU can’t say I’m gonna make a million clams, because YOU’RE the voice of REASON!

Like a bolt out of the blue, I was gobsmacked, thunderstruck, and over the moon in a tizzy of heaven for-fend, she, she, she believes in my crazy schemes!

To quote Goofy, “gorshk.”

So, I’m opening everything back up – Skippity Whistles, California Air Museums, even hauling The Book in for a rewrite.

Do I have a plan?

Heck no! I’m making it up as I go! Never quote me the odds!

My wonderful wife, she, she believes in me!

Wilma: “Oh, Fred.” (Sighs and exits)

Character Hijackery Part II

It’s been a while, but I previously posted a bit on how the voices in your head sometimes take over your story. Oh, wait, I just said what this entire post is about. Rats.

Continue reading “Character Hijackery Part II”