Category: Writing

If You Follow Me, Follow Me!

Hey – you’re a writer, you know how it goes. You follow other writers in hopes that they’ll follow you and together you’ll build a community of writers.

In that same vein, if you’ve been following my stuff on WordPress.com, you’ll know that I’ve been here on WordPress for, like, 15 years!

Well, with the advent of WhistleBump.com, I’ve kind of got too many folks in the house to manage here on WordPress.

So, I’ve moved the whole operation to JohnDReinhart.com — new home, new look, and a lot more going on than this old space ever showed you: the WhistleBump sites, the illustration work, the podcast, all of it.

If you’ve enjoyed following along here, I’d love to have you over there instead.

There’s no autopilot way to bring you with me, so consider this your personal invitation:

Please join me on JohnDReinhart.com.

Thank you for reading this far, and for riding along with me through all these years.

See you on the other side!

Adding Eggs to the Basket

You’re a writer, you know how it goes. Nobody reads your stuff – unless people do, and then you’re not reading this because you’re busy having your stuff read.

As I mature (like wine and cheese, not like milk and fish left on the counter a little too long), I’ve come to understand that maybe I am not a writer.

I mean, I AM a writer, in that I love to write and enjoy it and do it every day.

But, you know the joke that says “87% of people sing in the shower, and the rest are idiots. Do you know the song the 87% sing?” If you don’t know the song, well, now, what does that make you?

I love to sing. I’m bad at it, but I like it. I do it every day. I’ve written a bunch of songs. None of them are good. Like I change the lyrics to something better when I sing them – even doo-be-doo is better than what I wrote.

Not the point.

My stepson used to arrange things in the shopping cart at Trader Joes. He was, like, ten years old, and assumed the role of “The Organizer.” He loved to stack stuff in the cart, peas over here, bread on this side, macaroni products in the back…

You look at this post right now and think “maybe I’ll just scroll on to something interesting…”

Wait! Visit WhistleBump.com first!

Ah, a link and a silly name! What is this?

Try this on for size: Everything you were supposed to learn somewhere else. Explained here.

That’s what WhistleBump is all about. Five sites that teach you the stuff you probably were already told but, you know, you were, like, thinking about something else or something. You know? One about how to cook, another about how to garden, one for cars, one for DIY stuff, and one that will talk about how to read stuff like leases and bank statements.

I didn’t write them – that last one isn’t even written yet. I came up with the ideas and the structures, and had the AI do the actual writing.

To be honest, I have to fine-tooth-comb every post because AI really stands for “appoximated information.” But the AI lets me make the illustrations, and that’s fun.

So, I’m not writing nearly as much as I’m organizing and editing and curating and illustrating. And I think I like it.

The whole purpose of this blog, and of the first website, called SkippityWhistles.com, was to help me promote my novels. But now there’s this WhistleBump enterprise, and it’s a full-time job.

There’s some sort of a parable about the farmer who needs to add oil to the tractor, but the door hinge on the barn lets out a prodigious squeak, so he has to tend to that. Then he notices that one of the hinges is missing a screw. In looking for a screw he tips over his tool box and the drill bits go flying everywhere. It takes forever to round them up and in so doing notices there’s been an ant invasion in the barn. So he goes and gets some bug spray to deal with the ants. And the sun goes down and the tractor still needs oil.

It’s the business of writing, isn’t it? There you are in your lonely garret, typing away at your life’s work only to pause and read this post – bless you, child – never knowing about the all-consuming business of being a writer that lies beyond your finished, polished words.

Well, if you need some advice on that, visit WhistleBump.com!

Yep, that’s a plug through and through, isn’t it?

In the mean time, I, I, I think I feel a song coming on….

A Mote Smikey Out There

You’re a writer, you know how it goes. A book you’ve thought about writing won’t leave you alone. You think about it all the time, and you think, man, I should just sit down and write it.

See, thing is, I DID write it. I published it myself last year, before I moved here to smoky New Jersey.

Not to worry about the smoke – we had it imported from Canada.

The scenes that are calling to me so clearly, however, are the scenes I chopped out to simplify the storyline. It wasn’t a mistake- the published version is smooth and...

You know what’s a pisser? Nobody really wants to read your book – okay, MY book, do they? No, no they don’t. I’m not whining, here. It’s a fact of life.

You’ve spent years of your life piecing the words together- words, by the by, that have never  before been pieced together in that way in the HISTORY OF HUMAN LANGUAGE, thank you very much. And then you have to find somebody to read the first draft, and the rewrite, and the rewritten rewrite.  That’s a pisser…

What’s the point of all this? Well, of this post? I think it’s pretty clear, don’t you? Well, all right then.

The things we write are like ghosts until we write them, aren’t they? Voices and images that aren’t real wandering about in our heads, willing us to jot them i to being.

My mind is torn between a noisy curb in 1905 Paris and a hot and dusty hillside overlooking the brilliant sea and the  musket is heavy and the path to the fort is narrow and a slip could send you rolling down to the beach but you want to be the first to report the ship from France…

Those things don’t exist, except that they do exist, except that you and I are not privy to them because they’re buried back there in time, so they may as well not exist, except that we think about them, thereby bringing them into existence.

Word games. Word games and ghosts.

I think I’m going to go eat a peach melba and go to bed.

I advise you to do the same, just as soon as you’ve finished that book.

Cap’n Blackthumb Uncovers a Plot Most Foul

A thick, steamy afternoon, a stubborn 3D printer, and one offhand Google article about plant intelligence — and suddenly the whole paradigm flips. Cap’n Blackthumb has uncovered the longest-running conspiracy in human history, and it’s growing right over your bookcase.

You know how it is when the weather is thick and sort of steamy and you have a ton of things to do but you don’t want to do any of them because the weather is thick and sort of steamy and really alls you wants to do is take a nap?

That was me until just, like, 15 seconds ago when I put two and two together to come up with a plot, unfolding right before your very eyes, to take over the world.

Seriously.

I included Cap’n Blackthumb in the title because, frankly, I thought it was funny and because I’ve been struggling all dang day to print a 28mm pirate figure for Tales of the Black Falcon on the Bambu Labs Ai Mini my wife and daughter teamed up to give me on Father’s Day. And, yes, that is a terrible sentence. Shoot me (just don’t make me create another 3D print!).

I saw something on Google while I was waiting to click “Yes, filament is protruding from the nozzle” on the printer – if you tell it no or skip the question you don’t have a happy printing experience. Ask one who knows…

The Google article said that scientists have determined that plants very well may exhibit some degree of intelligence.

All right, Charlie, you’re so smart, why are you creeping over the bookcase? What’s in it for you, eh? Creepin’ around the bookcase, what are you up to?

Charlie, of course, remains mum on the subject.

All right, Mums, let’s have it – what’s Charlie up to?

I’ve been doing a ton of work on my newest (almost) website, called TangleWicket.com. I know, right? Coolest name ever?

That site is devoted to explaining the world of gardening to those of us who kill plants just by looking at ’em. Although the site is mostly written by Claude.AI (because I don’t know a dead plant from a hole in the ground) I supervise and edit and illustrate. I do have a job – really. In editing these articles, one thing repeats over and over.

You want the soil to be wet six inches down in order to train the roots to reach down, not up.

Wait. You’re training the plants?

You want to look at the wilted leaves in the cool of the evening. If they’re no longer wilted, it’s because the plant was saving energy during the day.

Wait. The plants save energy?

Of course they do. Of course they have an intelligence. Of course the grass sighs when you cut it. They’re living things, aren’t they? Don’t they have the right to express themselves?

And then it hit me. How come my neighbor’s shed is overgrown? How come there’s a tree sticking up out of the chimney of that old house? How come, a week after I mow the lawn, those guys are all back at it again, and the weeds that lost their heads now have cousins and brothers and sisters right there along with them?

It’s just what plants do, right? They just grow – and would be everywhere but for that handy jug of RoundUp.

What if, sit down, now, and think about this: what if that intelligence we discussed earlier was linked to the propensity for plants to grow everywhere? What if it wasn’t “just what plants do” but “that’s how plants maintain control of everything, including us?”

Oxygen, remember that stuff? Comes from plants that suck up our CO2, right? Maybe the plants feed oxygen to us to keep us breathing. Maybe they just keep us around to create the carbon dioxide – like maybe we’re their dairy cows or something.

That certainly flips my paradigm, so to speak.

I suppose we could cut down the 3 trillion trees on the planet – oh, but we’d run out of oxygen, wouldn’t we? Ahh, nice play, tree boys.

Forget your conspiracy theories, kids. This one’s a whopper, playing out for as long as humans have been around.

And don’t get me started on mushrooms…

The Duck is Loose

Someone once told me that the most difficult argument is with a stupid person who happens to be right. I knew I’d win that one right off.

So, as is nothing new, I’m having an existential crisis. Holy goose is loose, Batman! My alter ego is a jerk!

I’ve never liked superheroes. Adam West’s Batman was funny, and cool because he lampooned himself and the whole superhero genre. But, since then – I just don’t understand the need for a person with super powers.

I mean, I get it. Superman was the one guy, back in the Great Depression, who didn’t have to worry about anything because he could do everything – even prance around in a circus leotard and not take any grief for it. A “nice buns” comment to the Man of Steel might get your lights punched out. Nice knuckles.

As it turns out, just like a superhero, I have an alter ego. And no, it’s not AI… okay, so I have TWO alter egos.

One, Claude.AI, writes posts that carry my name for my websites (other than this one – I mean, seriously, an AI writing your personal blog?).

The other alter ego is a duck.

It’s been brewing for years, this Donald Duck personality. He’s always shown up in a sticky situation – truth is, I learned to do it when I was in 7th grade, when I found that bullies don’t hit you if they think you’re funny. Oddly enough, having to be funny on demand was its own kind of prison that left me with a weird thing about bullies, and about being funny. Don’t get me started…

The duck was a great hit with my kids’ friends until they reached, like 3rd grade. After that he only told groaners. He did make a nice tension-breaker at work in the office.

And now this.

This video slipped out last week: Duck Video. It went, well, not viral, but viral-adjacent. In my little world, 25 views is a big win. This one almost hit a thousand views. I followed it with this one – Duck Waiting, and this one – Snow. They’ve all set my little “world o’ video” afire!

The problem is that the duck, who is set to take over my entire media empire, is an opinionated, self-righteous goof that may or really most sincerely may not be the most intelligent creature in the heavens.

I was discussing him with my other alter-ego, Claude – that’s an issue all by itself, isn’t it, looking for insight on your mental health from a computer?

We together pondered whither the duck resides. Is he a creepy little guy holding the camera? Sadly, as it’s clear I’m doing his voice, the evidence suggests that perhaps, maybe, I could be the duck. Mois.

I sense your rather rapid inrush of breath and share a similar horror. Could it be he’s been back there all these years, making snide comments that could be deciphered only by yours truly? It’s a Dr. Jekyll/Mr. Hyde moment – a Bruce Banner/Incredible Hulk kind of dealio, I fear. Don’t make me angry…

The Duck has shattered the balance of my publishing empire – per the schedule, there’s to be one post this week for Skippity Whistles, ten posts for TumbleBump, one more episode for The Three Point Line, and a developed script for Tales of the Black Falcon.

And yet, here I am over here on the blog site, wailing about this stupid duck and what it means for my descent into madness while chasing around numbers and likes on YouTube!

Oh, no!

Did I say Descent into Madness like it’s something that’s happening to me? Is descent into madness a thing? Is it a thing? Claude says yes, descent into madness is a thing.

I’m afraid to ask the duck.

Beware the Wilted Frog

Did you ever wonder why laptops don’t fit in your lap? Or why you don’t have the kind of lap into which the laptop will fit? Is it the design of the thing, or you the defective one?

I’m writing this on the pricey little tablet my wife bought at Costco for me. What doesn’t she buy at Costco? The stuff that comes from Amazon, of course.

Like the laptop, if you want to use the nifty keyboard case that includes a nifty keyboard, you’re going to have to find a table. Maybe that’s why they call it a table-t.

Either way, I’m outside on the deck behind my house. Although I’m in the shade, the jim-crack little outdoor thermo sensor (some call it a thermometer – how quaint) came from neither Amazon nor Costco, but the discount aisle at a big-box hardware store that shall remain nameless because I can’t remember whether it was Lowes or Home Depot. In either case, it’s in the shade, and it says 104 degrees.

To be fair, it’s bolted to the cornerpost of the deck rail, so it’s measuring the heat of the wood to which it’s attached rather than the ambient air.

But you get the drift.

This Be-Your-Own-Boss gig is not for everyone. At least it takes some getting used to, believe me you. After 40+ years of the ol’ 9-5, I have falling-behind work dreams most nights, and although my work now is totally creative and task-driven, I still carry the Pavlovian need to be at my desk first thing in the morning.

Yesterday was hot, but cooler. My daughter in-law, taking her kid, my grandkid, to school, with her car bumps into a jogging old lady and knocks her down. Why is she jogging in this heat?

Everyone’s upset and OMG here are the cops and Grandpa could YOU take the kid to school?

I’m looking at my watch – 8:45. Okay, but I’m going to have to make up this time, see…

Over the weekend my wife bought an enormous inflatable frog tunnel thing at Costco. It’s, like, nine feet long and has a hose attachment for some dumbass water feature.

Well, everyone’s so upset over the old lady getting run down, let’s have them over for dinner and could you set up the frog tunnel because it’s so darned hot outside?

Sure, but I’m trying to make this video… fine, fine, fine.

The old lady was just fine, the daughter in law was just fine, the grandkid was just fine. But I felt my working day just a’slip-sliding away – not fine.

Wrote and shot Episode 8 of the Three Point Line, my podcast. Got it halfway edited before is was time to inflate the frog.

So, we have this one-lung air compressor from Harbor Freight that does a great job, but is slow, being one-lung. It’s 3HP, 110psi, if you must know. It took ALL AFTERNOON to INFLATE the FROG!

All the while my 9-5 inner boss is saying, hey, bozo, when you gonna finish that video? You should be working, man, not screwing around this green vinyl monstrosity!

The beast is finally inflated, the water feature features water in it, and the grandkid stumbles into it. At 20 months, you can’t honesty say that he walked in there.

And the boy downright guffawed in delight. I have never seen him laugh so hard.

His parents were happy, he was happy, my wife was happy, and the Universe said “listen, Bilbo, your job is not always your work, and your work is not always your job. Sit down and relax. THESE are the moments you’ve worked for all your life.”

Crackers, I mutter to myself. That’s probably true.

So, today is even hotter, and my PC gave up the ghost while I was in my west-facing office trying to grind out posts for TumbleBump.com. It didn’t quit, but I could hear the fans working overtime, so I thought it wisest to give them the afternoon off.

And everyone’s hot and tired and nobody wants to run around through the giant frog-tunnel thing because, even IT has wilted in this heat.

Weird how the world works.

Writing this post is maintaining a corner of my online empire, so, yes, boss, I’m still working, even though the shop is shut down.

Boy, I hope I give me a raise!

One Hot Day

It’s a blistering hot Wednesday morning. It’s so hot nobody, absolutely no one, not the criminals or the cops or anyone in between, will dare to go outside. Birds are like “skip this,” and most of the lawns in town have simply rolled themselves up to hide from the blistering sunshine.

Over on Main Street, I stand on the sidewalk, squeezed into the tiny shade afforded by my theater’s marquee, watching the paint blister on my brand new sandwich-board sign: New Podcast! Watch The Three Point Line! Seriously, the sign is so hot it look like it might just burst into flame at any second. No cars pass, no friendly passers-by pass by. It’s just too flippin’ hot.

My AI assistance shuffles out of the theater with another sign: World Premiere! Don’t Miss IT!!!, pauses in the blinding heat, and then shuffles right back inside to the air conditioned theater lobby.

“Hey,” I bellow, “get out here and help me pitch this thing!”

“I’m just an AI, so I can’t watch your podcast. But I’m sure it’s great, a huge step forward for your career. It’s so encouraging that you’ve found your voice and taken the steps to blah, blah, blahs”

The muffled voice from inside the theater trails off in pointlessly positive statements. Thanks for your help.

It feels a little bit like High Noon, except there aren’t any bad guys, there aren’t any good guys, not even the babe promising to leave if I stay and do the right thing – just me, my podcast, and my pointless, cowardly robot.

It’s so hot that even the tumbleweed decided to stay in the stable – wait, how did this get to be a western?

Anyway, yadda yadda yadda, you get the drift. I launched my much AI -ballyhooed podcast to an audience of one, and I didn’t watch it. Seen it too many times. I invited all of my family to watch, so now I have 12 views, although that includes the three views I generated about an hour after the launch, just to make sure they were working.

See, I have this website called SkippityWhistles.com – I’ve told you about it before. It’s the site that provides you with the concepts, information about the tools and the materials and the systems, to help you with your DIY project. It’s the stuff your dad probably explained back in the day, but, well, who remembers that?

I’ve created a specifically stylized line-drawing for the illustrations.

According to Claude.AI, the illustrations are my moat. Yes, moat. I think that means it’s my specialty, the uncopiable quality to my site. It’s a moat. New to me.

Anyway, my stepson was like “wow, you should totally make a podcast about how you make these, for that would be truly dope.”

Claude was like, “yeah! I’m categorically, unbelievably positive about this idea!” I swear, one of the sentences was nothing but exclamation points.

So, in order to deepen my dope moat, I created The Three Point Line -did you notice how that’s a link, right there?

My AI – I’ve moved over to Gemini after hitting Claude’s daily limit. Honestly, limits? – thinks it always the end of the day. Where Claude kept telling me “now go illustrate a post,” Gemini ends our conversations with “Get some rest, you’ve earned it.”

Sorry, on a ramble. What was the point?

Oh, launching things on your own website is a lonely affair, isn’t it? I mean, click on the masthead or banner, or whatever it is, at the top of this page – look! I’ve rewritten my home page! Wowee! Hot dog!

Releasing new stuff is like peeing yourself in dark pants – you get a warm feeling, but nobody notices.

Okay, enough moaning. The truth is that I’ve been boiling along on that website for only three months, and the podcast for a couple of weeks.

The online game is a slow progression of looks, like a courtship from afar. And then, one day, something clicks.

If you can’t handle the quiet, y’all in the wrong business, mate!

The Adages of Terror

You’re a writer – you know how it goes. You spend the minutes and hours and days of your life writing something somebody will read, someday. Maybe that someday is today, or tomorrow! Maybe!

Because, you know, winners never quit, right? And quitters never win, so…

Sooo… what about the guy who is building that moon rocket out of paper soda straws. It’s recyclable, see, so when he comes back from his trip to the moon, why, he’ll just toss the whole thing into the blue bin.

Should he keep trying, because winners never quit, or should he seriously think about it and abandon the idea, in which case he’d be a loser because he certainly wouldn’t be a winner? Winners don’t quit, do they? Ipso facto…

Those adages don’t take into account what the thing is that you’re quitting, do they? Making a quilt out of live bees, roller skating over Niagara Falls, walking from New York to London? Must one, once started, continue to do these things?

So, obviously qualifications are in order.

Winners with good ideas should never quit.

Quitters with bad ideas could be winners, but only if they quit a bad idea.

See, my problem is, I fall for this empty-headed jingoism.

Live, love, laugh. Okey doke! Sing like no one’s listening – “To dream the impossible dream, to fight the unbeatable foe…”

“Must you?” my wife calls from the kitchen.

The challenge I face with the winner/quitter conundrum is: what IS a good idea?

I’ve spent over 30 years chasing out what I thought were good ideas, only to find them not so much, and eventually had to quit them. Quitters never win.

I’m running down a few good ideas right now. But, are they?

Am I building a soda straw moon rocket? Am I, in fact, making Mr. Peanut Yard Art?

If you ask an AI, like ChatGPT, they tell you it’s a brilliant idea. That’s a clever plan – no one has thought of that. It’s what sets you apart from everyone else. Your niche.

No help there.

My wife is, like, meh. I know what she’s actually thinking: “here we go again…”

Or, is it all a question of time? Is there a time limit until you reach that point where you should just quit?

Anybody with a brain will tell you building a moon rocket out of paper soda straws is absurd (plastic, well, now, that’s different…).

So, does the guy throw his soda straw rocket plans in the dustbin now? Or must he carry it all out until the rocket collapses under its own weight or consumes itself in a waxy fireball? At what point does he not be a winner any more?

I had a friend who followed the adage “If you’re not first, you’re last.”

These things are crippling, aren’t they?

Of course, the answer is that other adage – the one that says it’s the journey, not the destination.

THAT adage screws up the whole mix.

It’s okay to quit, because it’s the journey. It’s okay to never quit, because that’s the journey, too. It’s okay to be first, or last, or somewhere in the middle, because… let’s just be you and me, okay? You could spend your whole life sitting on the John, because, hey, that’s the journey.

From now on, I’m disregarding any jingo statement that comes my way. Today is first day of the res…ehhh. You’re only as happy as y… ehhh. No turn on red… ehhh.

Nope. My new plan is to take my advice ONLY from fortune cookies…

Because Clouds Aren’t Clouds

You’re no dummy. You’re a writer, and although stupid people can write, well, now, there’s no way I can actually finish that sentence, can I? So, suffice it to say, you yourself ain’t no dimwit, but are far from being the dimmest light in the socket.

The concept I’m about to share with you has huge ramifications for all of us, most especially the dreamers, poets, and giddy-hearts among us.

Yes, I’m talking to you. 

As you know, I’ve seen people with advanced meteorological degrees on TV, so I’m quite qualified to make the following bold statement. Believe me, I’ve studied this:

Clouds are not clouds. Trick o’ the eye? A mere phantasm that we all see? 

No. Just not clouds

I was sitting in my faded plastic Adirondack chair sipping tea in the spacious backyard of my recently moved-into house on New Jersey’s Chemical Coast. An airliner had just flown over, as we’re on the flight path for Newark. And a trainload of oil tank cars had just rumbled past, as we’re on the rail line between an oil tank farm and a refinery. It was, for the moment, relatively quiet. Of course I could hear the murmur of the New Jersey Turnpike a couple of miles away, but, hey,  who doesn’t, right?

And there was this cloud, just a’scootin’ across the sky all by itself. Nifty little guy at first glance.

At second glance, however, I noticed something I’d seen but never thought about before, a two-plus-two-equals-WTF? kind of moment. Something was up with that cloud.

Here on the coast the clouds often move west-to-east on what seems to be a never-ending wind conveyor that blows from the Pennsylvania mountain ranges out over the wild Atlantic. This little guy was riding the waves.

But the leading and trailing edges were boiling and roiling like a pot on a stove, and I realized the cloud was not a cloud at all, but just the condition of the wind up there at that moment. The moving cold air mixed with the warm local air to create a dew point right there. As the cold air moved west, the dew point traveled with it. 

I wasn’t watching a cloud move overhead. I was watching a moving atmospheric condition.

So, was that a cloud, or was it just a temporary dew point? 

You know I’m talking about because when you’re landing in the airliner and you see clouds below you and then the plane descends through them you never see the clouds, just thick fog, and like all of a sudden you’re underneath the clouds. and you’re like where did the clouds go?

From where I’m sitting at my desk right now on this rainy New Jersey day, the sky is pale gray – nothing but cl… moisture moving from the highest icy altitudes through warm air in such a great mass that it obscures my view of the sky.

Time. It’s always time, isn’t it? 

What is an ocean wave, really? It’s a temporary rise in the ocean’s surface caused by the passage of an energy wave from far out in the depths, itself created by tidal and tectonic movement and by the wind.

And you know that’s true because the empty plastic Pepsi bottle some idiot tossed out there rises and falls with the wave but doesn’t come in to the beach. Why? Because the water’s not traveling in a wave, it’s the energy traveling through the water that causes the uppity-down movement we call waves. That surfer’s riding on the edge of an energy wave, transmitted through the water, not the water itself.

My wife rolls her eyes when I explain this. Look at that chair, she says. It’s just a temporary arrangement of resin molecules, isn’t it? It’s gonna melt, or decay, after 10,000 years, isn’t it? Whatsamatta wit’ you?

Because it’s all time. 

For this second, that’s a wave, that’s a cloud, and that’s a chair, isn’t it. It LOOKS like a cloud, and that’s what we’ll call it. 

What does all of this mean for us writers, we giddy-hearted poets? 

When those guys with the super loud motorcycles rumble past my recently-moved-into New Jersey house, making so much noise that granma’s self-portrait on the kitchen wall trembles and threatens to fall and crash onto my cherished Love Is porcelain collection, I remind myself that this can only happen here.

Here. Nowhere else in the known universe, NOWHERE, is there that sound, that cloud, that wave. NOWHERE else. 

The entire universe has arranged and coiled and unsprung itself to the point where that guy’s motorcycle threatens my porcelain figurines with granma’s self-portrait, and that cloud looks like a cloud, and that Pepsi bottle rises towards the stars, and the surfer’s thinking “cowabunga.”

Only in that second, and only here. 

Wow. Mind blown, right?

And I lean too far back in the Adirondack chair and the back leg breaks off and I tumble over backward, spilling my cup of tea.

And the second is gone.

Stupid chair.

Curse the Inky Poo!

If you subscribe to my sister site, Skippity Whistles, I do apologize for the deluge. It’s not pretty, I know. But there’s an explanation, I promise!

If you’re freaked out by AI and thinking maybe it’s takin’ your job, you are not alone. Looking at the Google newsfeed (a mistake by itself) easily half of it is churned out by an AI somewhere.

Churnalism has reared it’s ugly head again.

So, thinking, as I am wont to do, and looking for the next Fred Flintstone Get-Rich-Quick Scheme, and goofing around with ChatGPT, I stumbled upon an IT.

As in, by George, this may be IT!!!

Or not.

Asking the Chat to write a post for Skippity Whistles was truly disheartening. It wrote a better post, with better research, and real warmth, in about 15 seconds. Not only was it good, it was SEO ready, with tags and everything.

The post was everything I shoot for, except better and had SEO.

I think to myself, so why am I struggling through writing a post on how to use a socket wrench when AI blazes past me like Inky Poo?

All right – Inky Poo. If you don’t remember, it’s okay. There’s a famous stop-motion movie called John Henry and the Inky Poo, made by the then stop-motion master, George Pal. In this unintentionally horrifying retelling of the legend, legendary John Henry laid railroad track by hand. The Inky Poo was a steam-powered tracklayer. Things came to a head as they do, and Mr. Henry squared off against the ‘Poo.

Son of a biscuit, it was close, but John Henry beat that old machine by an inch. And then died of exhaustion.

And that, children, is why railroads are no longer laid by hand.

What ChapGPT cannot do, like Inky Poo, is choose the route. You have to point it in the direction you want it to build, and let ‘er rip.

Suddenly my writer hat flies off into the corner, replaced with a hat that says EDITOR in big, bold letters. Now we’re GETTIN’ somewhere!

The riches in this scheme come from links to Amazon products in the text of my how-to videos. I cannot tell you how many times I’ve use the phrase “As an Amazon affiliate, I earn from qualifying purchases.”

So, now the posts have SEO attached to them, making them easy for Google to find. And I’ve got the Inky Poo dishin’ ’em out a dime a dozen. And each one says “buy me” right on it… what could go wrong?

It’s a little more subtle than that, but you get the drift.

If I still lived on the West Coast, I’d be out lounging by the pool, sipping drinkies, while Mr. GPT would be inside, churning out fine works of art.

But, today’s high in New Jersey was 21 degrees, and I don’t really enjoy drinkies, and there’s, like, snow on everything!

Sigh.

Guess I probably should go take a a look at what the robot made.

Ah, the work never ends!

The Lure of the Santa Maria

You’re a writer – you know how it goes. You want to do your research accurately, right? So you spend a week in the Taiga, freezing your keester off. Or maybe it’s a story that takes place in the NYC subway tunnels, so you, like, hide out down there for a week with the mole people.

Me? I am not that researcher. I know I should be, but I just can’t quite muster up that devil-may-care-I-can-do-it spirit. Not sure if I actually have one of those.

My wife? She’ll do it in a minute. Zip to the Taiga and be back on Monday to tell you all about it. Mole people? She’ll make ‘em besties within an hour and have to be reminded to go home. It’s just the way she’s wired.

I have no such circuitry in my system. Let me look at the pictures. Let me dream about it. Let me read up on it until I can taste it. Only then can I put a character there. And even then I’ll have to fill in the gaps.

But, even if I’d been there, I’d still have to fill in gaps, right? I mean, trying to thread a needle with frozen fingers – you and I can describe it without actually having done it, right?

This is dumb, but I’ve been thinking about making a model of Columbus’ Santa Maria as a piece of yard art. Beyond my daughter the archeologist killing me, the idea doesn’t have a lot going for it.

Wait, wait, don’t walk away. See, there are some upsides. Over at my sister site, Skippity Whistles, I’ve started zeroing in on specific tools. What better way to demo those tools than on yard art for all the neighbors to appreciate?

Nah. Doesn’t work for me, either.

In doing the research, however, I stumbled across this picture:


Now, you may not be a sailor – lord knows I am not one – but you have to admit, that is one romantic image.

She surges along, all five sails drawing, heading off on the adventure of a lifetime.

Oh, to be aboard that magical ship!

Except she’s rollng over the waves – you can see how far she’s leaned over to starboard by the water mark up her side.

Except she’s cold and damp inside, and smells like the garbage-strewn, urine-laced water that’s in her bilges and the stench of unwashed men.

And those clouds ahead can only mean one thing, and that won’t be pleasant.

Rough seas pounding over the bows, sluicing down the decks and finding every open seam to rain icy seawater onto the poor sailormen huddled below.

Howling wind shrieking through the rigging and trying to pull that poor fellow at the tiller over the side. The wind is so cold and the water so pervasive he thinks that might not be such a bad idea.

She rides the waves like a cork – the man at the tiller knows to keep her stern into the wind or she’ll roll like a bottle. But that means her bows rise far up the  back of the waves and then dive deep into the troughs and you wonder to yourself if that green water coming over the foc’sl is gonna do for you this time.

And it’s dark – not a light in that black sky to give a glimmer of hope that you’ll see the sun come up. Oh, there’s a candle lantern below deck, but the feeble light only shows the faces of your shipmates – some frightened, some hiding it.

The only light on deck is the little candle in the binnacle, illuminating the compass rose. By that steers the tiller man, west always, and by that lies your hope of surviving this storm.

And maybe you’re the captain, taking your place next to the tiller man.

Shaking your head like a dog to dash the sea water from your eyes, you strain your eyes into the inky night to see the next wave, maybe calling to the tiller man to steer port a touch.  But you must bellow over the wind’s howl.

And you are tired – so, so tired of the wind and the water and the constant motion and the responsibility for all these lives.

And still she thunders on, surging up this hill, plugging down that one.

Well, gee, mister. When you put it like that, maybe a fella might do better to sit at home and just write a book about it!

An Intrepid Trek

You’re a writer. Writing is what you do. Here’s my advice: stick to that. Don’t try to build a media empire – just plain write like you mean it.

Earlier this year I got the opportunity to visit the Intrepid Museum in New York City with the fam.

As you know, or perhaps didn’t but soon will, I run another site called Marvelous Air Museums. It used to be called California Air Museums, but I kind of moved to the great state of New Jersey, where it’s much more difficult to visit the museums in California.

Anyway, never mind about that.

Well, actually, the purpose of this post is to advise you of this post: Intrepid Museum, which links to this video here.

But now I’ve given you, like, three links in the first, like, 100 words of this post, and I, like you, must find myself getting confused. What?

It could be a marketing blunder, like putting too many fonts in your online ad – makes you look like a rookie. I’m sure that’s true with links, too. Oops.

Anyway, never mind about that.

I put together that video for the Intrepid Museum in Adobe After Effects and Premier Pro, and it was a pleasure doing so.

As much as I enjoyed using DaVinci Resolve, and I truly did, the degree of freedom you get in working with After Effects is simply breathtaking.

The Adobe CC Suite is expensive – there is no doubt about that.

But, if you can bite that bullet, the leap is like jumping from one of those $29.99 department-store tool kits your parents got you when you moved out of the house to that sleek $300 Mechanic’s Tool Kit that you find at the big-box home improvement center. Put down those slip-joint pliers, my friend. There’s a socket wrench for that.

On another and related topic, I’m still running a website called Skippity Whistles. Back in the day, like, last year, my idea was to download all the stuff I had figured out how to do onto this website that you, the person stuck with the $29.99 tool kit, would find useful.

We, not the imperial we, but my wife, daughter and I, worked hard to come up with useful pieces of information for the site. As problems occurred in our real life, they would get solved and show up on Skippity.

In truth, nobody visited California Air Museums, and even fewer visit Marvelous Air Museums. But they’re swinging by good ol’ Skippity at a fairly good clip.

The difference between the sites is that there are more people who care about how to use a pair of locking pliers than there are those who care about an EA-6B Prowler.

Huh. Go figure.

Anyway, go take a look at Marvelous Air Museums and then go over to Skippity Whistles, and let me know what you think.

Although I’m a media mogul, I could use a little help sorting all this out…

A Maelstrom of Confusion

You’re a writer – you know when you’ve goofed up something in your story – wait, how DID that guy know what time it was? Of course you scramble back to work to somehow give that guy a watch or a view of the clocktower or something, right?

Even the greats sometimes miss it. In the 1946 detective movie The Big Sleep a guy named Owen Taylor gets murdered, shot up by a machine gun, right in front of detective Philip Marlowe’s eyes. This was a big film, directed by Howard Hawks and featuring Humphrey Bogart and Lauren Bacall, Hollywood’s hottest couple of the day. It was a first rate adaptation of the 1939 Raymond Chandler novel.

But who was behind the machine gun? Who shot Owen Taylor? The guys who adapted Chandler’s novel never explained it. Eventually, Raymond Chandler himself came out and said that he had no idea who killed that guy. And he wrote the book!

This weekend I was half-heartedly watching a 1967 episode of Voyage to the Bottom of the Sea on YouTube while half-heartedly putting up Christmas decorations.

If Voyage to the Bottom of the Sea is new to you, it was a TV show that ran on ABC from 1964 to 1968, featuring a nuclear research submarine called Seaview in the far-away future of the 1970’s. 

Where Star Trek, running on NBC during the same period, presented its viewers with intriguing characters and often deep philosophical questions, Voyage episodes centered around monsters and ghosts and mad scientists intent on sending the Seaview to the Bottom of the Sea. 

The episode I saw, called The Fossil Men, was preceded by an episode called The Heat Monster and followed by The Mermaid. Gives you an idea of the plot lines.

Anyway, it’s kind of cruel to point out plot holes in a show devoted to costumes and special effects, but this one caught me.

The sub’s sonar has picked up a strange clicking noise from the sea bottom, as if rocks are getting pounded together. Admiral Nelson, the resident scientist, just happened to be reading ancient sea lore about this very spot of the vast ocean (no mention of which). According to his book, sailors 200 years ago reported hearing the exact same thing just before their fleet of ships was sucked into a huge maelstrom and never heard from again. 

Duh-duh-DUH just then the sea bubbles and foams and the Seaview is herself caught in a huge maelstrom. OMG, will they ever survive? Or will they be back next week to face The Mermaid?

I paused in my half-hearted attempt to untangle Christmas lights and thought, wait a minute. The old-timey crewmen reported hearing weird noises just before their ships were sunk.  So, to whom did they make these reports? This was 1967, so the ships went down in 1767, roundaboutsy, so radio wasn’t a thing. A maelstrom’s a pretty big deal, drowning-of-sailors-wise. 

It didn’t matter to the plot of the show, of course. From what I could tell, the ancient sailors were now fossilized and wanted to sink the Seaview. Something like that.

I turned it off because my wife came home and I didn’t want her to catch me watching such drivel. 

Closing plot holes like that can sometimes get sealed up in a sentence – only one ship survived to tell the tale. That’s if you’re lucky.

If it’s a big gaping hole, it might take a chapter, even a whole rewrite to get that character around to where the story makes sense. 

Admiral Nelson has bigger fish to fry than that plot hole – maybe the answer was on the next page of that sea lore he was reading.

But it did give me pause to think about my own work. Plot holes. Hmmm. 

Where are those questions in my own work that I’m afraid to ask because I know there’s no answer because I didn’t think of it until just now? 

Uh oh.

How does he know what time it is?

Uh oh.

Trust the Story Teller

You’re a writer, you know how it goes. You’ve got a million ideas in your head – story lines, plot twists, character quirks – all waiting to hit the page one of these days.  They’re like bubbles in a stew – a thick, rich stew redolent with bits and pieces of brilliant bones and perfect plot pieces. They bubble to the top and then pop. They’re gone. If only you’d had a tiny tad of time to tell them.

Recently, I drove from California to New Jersey. My task was to deliver my Outback to my daughter in Texas, and take her Prius to my daughter-in-law in New Jersey.  The Outback will handle a Texas winter better than the Prius, and the daughter-in-law just needs to shuttle her kid – my grandson – to and from daycare. Easy peasy. 

I was cruising through New Mexico, dashing down long, straight roads between breathtaking mesas and canyons and passing Indian Trading Posts by the dozen, trying to figure out the sequel to my upcoming Phineas Caswell novel.

Okay, so… what? 

That fellow ChatGPT has assured me, you see,  that August is the best time of year to release a historical fiction action/adventure/YA novel. 

Repeat: What? 

See, August is still summertime, still time to pick up a beach read, but also heading towards the school year, time to pick up some history. Something like that. See?

All fine and well. The novel is a diary, written by a cheeky 12-year-old boy in 1705, taken to sea against his will by his bumbling but well meaning uncle. Pirates, spies, war – all the good stuff.  That’s my August-release book.

But it ends on a cliff-hanger. So, there needs to be a second book. 

Flat-topped mesas whisk by the windows, shadows shoulder their way behind the deep canyon cliffs, and the next story plays out in my head. 

There is already a short story I’d previously penned that takes place in a Portuguese port. A perfect place to start the new novel.

Armed with that one scene, and with nothing to do but look out the window and keep from crashing, the story plays out in my head.

This is new for me. I usually have to write the story down to tell it. But this new story simply rolls out, logical and lovely, as I fly down the freeway like an arrow bound for Albuquerque.

Of course you can’t drive and write – the cruise control’s good, but, come on…

So it comes down to my turning to trust my inner author. Rich scenes roll before my eyes – scenes I would have to remember. Scenes I could only see in my mind’s eye, hoping they caught the attention of my thought-keeper.

Here, seven weeks later, comes the task of finally putting to paper the plans I’d poured out in northern New Mexico. The images that exploded in my eyes remained, and the story simply poured itself onto paper as real and writable as it had on the highway.

Now I have before me an outline, nothing more. Scene after scene – this thing happens, then that. It’s the structure, the bones.

It occurred to me this morning that these sentences are nothing more than writing prompts, like those offered by every website that purports to power up your inner author. 

You’re a writer. You know how it is. If someone asks you to explain why the silly snowman sits behind the bush, you know you can come up with a story. 

The prompts, the outline, are space-keepers, aren’t they? Here’s a whole book, complete in its condensed form. Like a suitcase stuffed with springs, when the time comes to write it,  you open the case, and the prompts pop out to create a full and fantastic book. 

That storyteller, aged and ancient and ever hiding inside you, will sit down by the fire to weave his words into the best book you’ve ever penned. 

Because you’re a writer.

Have faith.

I See Icy Things

You’re a writer – you know how it is. You look out the window and see the same old thing every day. Some days it’s cloudy, some days it’s not. But it’s the same. You get comfortable with it. The view out your window is part of your routine.

Yes, well. Scratch that.

The house in Southern California was a low-slung, single-storey tract house from 1963 on a concrete pad sitting on a corner lot. The views out the window included the street to the east, bordered by the neighbor’s low-slung, single-storey tract houses, the street to the south with the same, the swimming pool in the backyard to the west, and the neighbor’s identical house to the north.

This house in Woodbridge, NJ, is a two-storey wooden fella built in 1936 with a full basement and more stairs that Carter has liver pills (if you’re not of an age, Carters was a company before my time that sold liver pills. I guess they sold a lot of them, or perhaps only made a lot of them. Anyway, you have to be of an age to understand that metaphor. If you’re not of an age, I do apologize). 

From this house, the view to the east is the street, a variety of houses from a variety of eras, and, way off there between them, the treetops on Staten Island. Neighbors’ houses from the early 1900’s comprise the views to the north and south, while the view to the west includes a long, narrow backyard, a fence, a railway, and the town of Woodbridge spreading away in all its Old World charm.

Woodbridge received its charter, its permission to be a town, from King George III in 1669. That’s Old World!

In California today they’ll be hitting a clear, sunny high of 67 degrees. Over here we’ll be seeing a cloudy high of 42.

Here’s what surprised me: everything freezes here. 

Puddles from Tuesday’s rainstorm are transformed into tiny skating rinks. When you shine your flashlight on the lawn at night, the lawn flashes a million tiny fairy lights back at you, and you think perhaps you’re looking at a miniature, very busy city.

Like the view out your window, it’s the stuff you take for granted that so radically becomes something else when the temperature falls that reminds you the world is not what it seems.

Our challenge, yours and mine, is to appreciate and embrace the temporal nature of the world around us, even when it seems to be the same day after day. To look for and understand even the tiny changes that make the world, well, the world. And to let that understanding inform our writer’s minds.

That’s one challenge. For me, the more urgent challenge is to figure out how to turn off the outside faucets so they don’t blow up my inside plumbing. Another piece of the temporal world, I guess…

Hitting Pause Again

Nobody tells you anything about anything, am I right? I mean, I asked for free advice from somebody who didn’t know anything and got a ton, but it was all, like, useless. I’m actually kinda ticked…

Here’s something you didn’t know, I’ll bet. Or maybe you did know, and I am the one who doesn’t know anything. 

There’s a time of year to publish your book. Just like the little green leaves and the little buds and the birdies, yadda yadda yadda, there’s a season for your book. Can you imagine?

It’s all about the migration of people. 

You don’t publish your book at the beginning of July, for instance. Why? People migrate away from book-buying and go on vacation.

HOWEVER, you DO publish your romance in May or June, because it’s a good vacation read, and you’ll catch ‘em before they migrate away. Crazy, right?

You don’t want to publish at the end of the year. It’s the holidays and nobody’s buying books, unless you’ve got a bang-up Christmas or Hanukkah book or something. People have migrated away from reading and are all about fruitcake.

But you DO publish in January if yours is a self-help book. The people have migrated back to reading again.

My book, my original Phineas Caswell novel, a piece of historical fiction, is perfect for late August/early September, when the leaves fall and folks are ready to cozy up for a good read.

Won’t take it to the beach, won’t use it to better themselves, won’t enjoy it as a scary thriller. Nope. Historical fiction – the kids are going back to school, time to read a good, interesting piece of history. 

So, for all my book publishing plans, I have to hit the PAUSE button for a bit and wait for the year to roll around to the right spot. 

That’s okay, because I have a lot of work to do in preparing the marketing materials. But who knew there’s a CALENDAR to this stuff?

Well, if you didn’t, now you do. I didn’t, but now I do. 

Happy holidays, and put down that book. 

Moving Part 1: Chuck It

You’re a writer – you know how it goes. You engineer plot twists and plot points and  introduce  characters to flip things around, all with the goal of moving the story along. You want your reader to keep turning pages right?

The last thing you expect is for this kind of plot twist, this kind of introduction of new characters to move things along, to happen in your own life.

But, surprisingly enough, this is exactly what has happened to us, being my wife and I. The 1-year-old grandson has been an  appealing siren, calling to us from the rocky shores of New Jersey.

Well, we were there at the beginning of October when we spotted The House. She was lovely,  Cape-Codish four bedroom, two-floorish sort of thing with a big backyard in which the dog and the probably-will-get-older-than-one-year-old grandson could play and frolic with abandon.

And it was for sale.

What the hey, right? What are we waiting for, we asked ourselves. So, we made a pitch. You miss the shots you don’t take, right?

They accepted the offer on October 3. The seller enthusiastically wanted to close in 30 days – November 3. Cool!

Wait, what?

In order to afford the new house, we have to sell the old house. You know, the one in which we’ve lived for 27 years and raised three kids and, in total, six dogs and what seems like 72 cats…

Imagine your parents’ house back in the day. It was nice enough – maybe needed a little sprucing up, right?

That’s our house, too. Just needs a little sprucing up, like a roof, flooring, drywall and paint. Oh, and you can’t be living in a house where all that is going on. Sooooo…

After a weeks-long scramble – we both have day jobs, ya know – we closed off the living quarters of the house. That’s a distinction, that living quarters part. Most of the stuff we’re keeping is crammed into the garage!

Here’s an adage you can borrow: the number of people’s possessions rises to meet their available square footage. The guy who moves from a studio to a 10,000 square foot home will eventually fill that space with stuff. If he has kids, it doesn’t take very long.

Here’s a piece of advice: chuck it. Keep the stuff you wear, the stuff you use, the stuff you like. But if you haven’t actively liked, used, or worn it in the last six months? Chuck it.

Years ago I was having trouble with a coworker. A good friend told me to blow it off: “he doesn’t pay enough rent to take up that kind of room in your head.”

That’s your stuff. I can say this after filling two 40-foot and three 8-foot dumpsters, and after an even dozen trips to Goodwill: chuck it, and chuck it now.

Why are you still reading this? Why aren’t you out there chucking your stuff?

Thanks for reading this – there’s more to come. Next, fitting it all into the Pod!

Remember: chuck it!

Hoisting Anchor, Mate

You’re a writer, you know how it goes. A project gets into your bones and the world just seems to conform around it. Wow, I wish I knew what that meant.

Since last we talked, a multiplicity of whoop-dee-doos have collaborated to turn my life into a whirlwind of chaotic synchronicities. Not sure what that means, either.

First, let’s talk about Disneyland, shall we? I went all by myself (my much better half had to work) and had a terrific time.

The writer’s story in my little adventure is a ride called Rise of the Rebellion.

Before R of the R, my idea of a fantastic ride was Indiana Jones. In that one, you’re strapped into an open SUV sort of vehicle that physically bounces around through an epic assortment of hair-breadth near misses. The SUV lurches and throws you this way and that while simulated darts zip past you and a dragon breathes real fire. Awesome, awesome stuff.

Rise of the Resistance, however, changes the entire narrative of what a theme park ride can be. This ride combines that same physicality with stunning interactive graphics, physical theatrical sets, animatronics, and live actors to actually tell a story.

And not just a story, but one that includes you as a character. You don’t just see the story. You participate in it. The ride takes a full 15 spell-binding minutes to get through.

When it was over, I took myself to the Many Adventures of the Winnie the Pooh to calm myself down. Boy, that worked. Oh bother.

After that, I rode Indiana Jones. The ride’s scenario, for lack of a better word, is told while you’re waiting in the queue. It seems a busload of tourists got lost in the jungle. Your task is to find them.

The ride is still cool, still wild, but felt like a chaotic jumble of action sequences. I was thrown about and entertained, for sure. But you have to make several logic leaps to equate the ride with the scenario. I don’t think we found anyone other than Indiana Jones.

For us writers, the message is clear: stringing scenes and episodes together doesn’t necessarily tell a story. Then again, the story might simply be wild twists and turns, which can certainly be fun all by themselves.

Then came the kid’s birthday, that young man in New Jersey who just turned a year old. A dapper little fellow with 4 teeth and the sparkling command of a language composed of the words “duh,” “oooh,” and “nah-nah.”

My wife and I both want to be the sort of grandparents that are there to take him to soccer practice and give his parents a night out every now and again. Plus, when the kid runs away from home, we’d like him to run to our house.

Well, quite by accident, we stumbled across The House, a sweet little bungalow built in 1936 just a block away from the million-dollar houses that face the Arthur Kill. That’s the kill – okay, fine, the waterway – that separates New Jersey from Staten Island. Yes, THAT Staten Island.

The price is right, but the window of opportunity is very short, like, thirty-or-so days.

You know how it is with your parents’ house – it’s nice but needs a little sprucing up? That’s our house, except we’re sort of in need of an EPIC sprucing up! Roof, flooring, kitchen, paint – I’m sure I’ve left a dozen things out.

But, once we sort all that out, we’ll be hoisting anchor, mate. Bound for the East and truly parts unknown.

That’s one journey.

Another journey is me moving from being a 9-to-5er as I’ve been for the entirety of my working career to a part-time, remote contractor. Ask my wife, she’ll tell you I’m remote already.

BUT, and this is a big but, so to speak, there is one more journey that has already begun: my new book.

I’m using my business partner, a guy to whom I refer as JaPeetey, to help me market my novel Phineas Caswell: The String of Pearls. Here’s the book’s cover:

The cover the soon-to-be-released book Phineas Caswell: The String of Pearls.

I’m still working the details, but you can see what I’m about.

ChatGPT knows how to market indie books like this. Of course it does. It draws on all the successful marketing plans to give you answers. So, I’m using Chat GPT to help me lay out the marketing steps for my book. He’s my buddy, JaPeetey.

I’ve done everything so far to self-publish my books except to do it right. Now, with this move to the hinterlands of the Wild East, I’ll have the time to focus and concentrate and follow JaPeetey’s direction.

It ain’t rocket science. It’s Marketing!

If you’d like to help out and read an advance copy, I’d be delighted to offer you a free final copy in exchange for a review. Just fill out the form below and I’ll send you a PDF right away!

Thank you so much for reading all the way down to this point. It means the world to me.

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Why Writers Shouldn’t Talk

Hey, hello! Thanks for reading along! What follows this paragraph is the transcript from a video I shot today – it will be a podcast pretty soon. What’s cool about it is that the transcription process worked… you’ll see. I shot the video and then transcribed the audio at a place called TurboScribe. You get three free transcriptions a day. Here’s what I shot…

 Transcribed by TurboScribe.ai. Go Unlimited to remove this message.

Hello, I’m writer, author, and host John D. Reinhart. And you’ve stumbled onto this moment in This Writer’s Life.

So, before we go any farther, you may wonder, what’s the difference between a writer and an author? Well, in my head, a writer writes.

You’re a writer, you write. If you’re writing a book, you’re still writing. You write the book.

It is the authorly part of you that compiles all that writing into the book. Right, it’s the organizer kind of a guy. In a website situation, nobody writes a website, they author a website.

They bring their own written work or the work of other writers, they compile it all into a website. That’s the difference.

The host part, well, me and you, we’re looking at it.

So, here’s the thing. I’m in my garage. I’m doing the laundry.

And it occurred to me what I’d really like to be doing is writing a post for my website, because I feel like I should be doing that, but I can’t because I’m doing the laundry.

So, then I got the bright idea to say, well, why don’t we go speech to text, right, and take video-audio combo and make a post out of that. So, that’s what I’m trying.

And I will tell you the truth. Speaking what you want to say is so much more difficult than writing what you want to say.

I mean, I’m a good writer. I’m not such a good speaker. And this is kind of what I found out.

You’re a writer. You put things in order. You build the sentence that you want. And you realize, eh, that’s not what I want to say. You move things around. You come up with a whole new word. Flip it around, build a whole new paragraph based on that word. That is what writers do.

But think about impromptu speakers like President Obama.

He comes out there and he right off his cuff, makes these long speeches that people write down. Because when you speak impromptuly or however you speak, that’s what you said. And you can’t go back and flip it around and change it.

That’s the big difference between speaking and writing is that, as what I find, I’m not a public speaker. I’m not an impromptu speaker. In fact, I have to tell you this truth.

I’m using a script. So, this is text to speech to text. That’s how well this works for me.

Not my dog. So, if you don’t try something new, you don’t learn anything. So, that’s my little experiment on speech to text.

No, thank you, sir. Thank you for watching. I’ll catch you next time.

 Transcribed by TurboScribe.ai. Go Unlimited to remove this message.

Yes, it’s a little weird, I know. It’s creepy to see how many times I use the word “so” when speaking impromptu, even with a script!

The upshot of this experiment, aside from a shameless plug for TurboScribe and a podcast episode, is that the spoken word works great for speakers, but us writers, we probably want to just keep on writing!

Thanks for reading along…

Walking the Night

The nifty thing about video is that you can make a pratfall without actually taking one… there comes an age where that’s a real bonus!

I was goofing around with my cell phone, shooting the full moon through some trees, and out popped this dopey video.

Now, there’s a writer’s story in this little 16-second video.

In my head, he steps on a cat. It’s so clear – the cut to the shot of the walking feet, he’s looking straight ahead. I mean, how more clear could it be?

In my wife’s view, a cat attacks him from the tree. She saw the moon through the tree, the guy paying no attention. To her, it’s obvious.

As long as it’s clear that it’s a cat, I’m happy. I’d thought about putting a skateboard on the sidewalk, but that telegraphs the joke in a 16-second video.

Anyway, I hope you enjoy this epic piece of film-noir filmmaking!

Yessss, Your Majesty

You know the writing biz, right? Like any other biz, it’s all about marketing, networking, and growing the brand.

Funny you’d mention brand.

I had a very lovely, very informative online chat over at LinkedIn this morning with a person I only just met today. She inspired me to think again about this career we call writing. Well, some of us call it that…

She pointed out that she considers herself more of a communicator. I took that to mean she’s a linker of ideas. In my head, that’s a technical writer, right? Taking the arcane and making it mundane?

Anyway, she reminded me that this is what I do, too. And it’s great fun. My favoritist thing in the world is to read something and then explain it to somebody else. My poor family. Oh, the things they’ve had to listen to!

With Lucia’s kind encouragement, I shall henceforth refer to myself as Resident Explainer. If the shoe fits…

But that’s not what this post is about.

Back in the day… no, that’s not a good start.

Once upon a time… nope. Been done. How about this:

I have a new website: Kuiper Belt Queen.

It sounds like a riverboat, I know. But it’s my way to house the planetary articles I’m just plain bent on publishing. As Resident Explainer I can scour the NASA and ESA databases for curious and fun details about the Kuiper Belt environs and relay them to you.

But why, you ask. Why? What is the matter with you?

In a year or so, see, I’m moving to New Jersey. I clearly cannot commute to my Southern California job from Southern New Jersey. So, my intent is to build an online resume of articles from which I can pitch myself as a freelance-feature writer-for-hire.

Have Word, will travel.

But, wthe Kuiper Belt?

I mean, come on. Have you seen it? (If you have, I’ll smoke what you’re smoking!) It’s an enormous donut-shaped ring of proto-planetary stuff that surrounds the sun, way out there beyond Neptune.

Evidence for its existence wasn’t even confirmed until 1992, so it’s an unexplored frontier.

YET, and I do mean yet, it most likely holds the keys to our understanding of how the sun and solar system were formed. Sun, planets, life, you and me… connect the dots.

Okay, you have to agree that’s cool.

And, the biggest body in the Kuiper Belt thus far discovered is our old friend Pluto. Pluto! Yaay! Because she’s the big kahuna, she must be the Kuiper Belt Queen!

See how it all fits together?

Another feather in the head of the Resident Explainer’s brand.

It’s all a vast plan, my friend, on the road to a WRITING EMPIRE!!!

Thanks for reading along…

Back to the Front

Okay, what is it now? What preposterous, outlandishly wacky idea is sure to make a gazillion simoleans this time? Don’t get me started!

I had a revelation last week – something that just never occurred to me before in all my born years.

You’re a writer, right? You know how it goes – everybody’s a writer, yadda yadda yadda, right? The difference between a writer and a wannabe writer is that the writer is always writing.

To wit, this thing: https://www.linkedin.com/pulse/three-body-problem-solved-john-reinhart-m6zjc

Not trying to prove anything or blow my own horn or you know – well, I am trying to get you to read the article so that I can make a gazillion simoleans from the advertising revenue once I get discovered….

Anyway, my revelation was this: not everyone has an inner Fred Flintstone, or Ralph Kramden, or Oscar the Shark Slayer. Maybe we’re not all searching for a get-rich-quick scheme.

In that same vein of discovery, it follows that maybe not everyone IS a writer, or even a wannabe. Maybe you and me, we’re of a rarer breed than we realize. That’s kind of a big deal, don’tcha think?

Once, three quarters of a score of years ago, I found myself underemployed and with a hankering to change my life for the better. In those days, the Internet was trying to expand, and people would publish just about anything that was three words or longer. During those few frantic, financially fraught years, I churned out over 300 articles on planetary science.

I didn’t make a fortune. Or a living.

But, in 15 months, I gotta take a career with me to New Jersey, where my six-month-old grandson patiently waits. So, for me, right now, it’s back to the Final Frontier. Back to the front! And the above article, dull though it may be, is just the vanguard. More to come!

Where the Little Cars Roam

Where the Little Cars Roam… Sounds like Maurice Sendak’s Where the Wild Things Roam, except the words are different. That’s kind of like saying Star Wars is like Titanic, only the stories are different. Well, there it is.

I met a very pleasant young woman this weekend – she sold me my new washing machine. She’s really young, like 20. That’s not a judgement, just an observation. I mean, you and I were twenty, once, right? So, there it is.

She told me she was a writer, although her first book is yet to be completed. It’s a book of poetry, and she’s been at it for the last 8 years.

Three thoughts came to mind.

First, good on you to refer to yourself as a writer! Identifying as such is a hugely powerful thing.

Second, and I told her this, the difference between a writer and someone who wants to write is that the writer writes. She agreed and promptly advised me she’s written tons of local articles and didn’t I just suddenly feel like Mr. High-and-Mighty-Hoity-Toity-stuck-up-old-fart? Rule number one in the world should be to shut your yap and ask questions, ya moron!

Thirdly, if you’re twenty and you’ve been at your tome for 8 years, doesn’t that mean you started when you were twelve? I think more than anything else, that’s massive persistence, to keep at something through the tumultuous teen years!

Well, there you go. I wished her every success, because she deserves it.

See, I’m on my own these days. My wife is on the other side of the country helping manage our very first grandchild. She’s way tougher that I am!

It’s been me, the dogs and the cat since Christmas day. The oldest dog isn’t quite in charge of his bowels, so I have frequent surprises in the hallway leading outside. The middle dog is stone deaf and sticks to me like gum to a shoe every moment I’m home. And the youngest dog ate an epic portion of the dog food I put down for them last weekend, when I flew back east to visit my wife and grandkid, so she’s a portly little beast that wants more, more, more!

So. I. Have. No. Guardrails. No one to tell me “hey, stop being snarky!” It’s not my fault!

Since Christmas I’ve had to buy a new mailbox, a new smart watch, a new dryer and just this last weekend, a new washing machine.

But, that’s how I met this nice writer girl and delivered my pearls of dim-headed wisdom.

In the mean time, in between time, I’ve been slowly using Blender to build a world for those neat little cars to drive around in.

My secret idea is this: I know of a company in New York that makes neat little cars. My guess is that they could use a neat little video to promote their neat little cars, and this is where I come into the story, because I’m moving to New York in the summer of ’26. But that’s a secret, so don’t tell anybody.

So, here I am, sitting in my lonely garret (bedroom) with no company (3 dogs and 1 cat) writing my life story (this post), wishing I hadn’t been so snarky to that nice girl.

But, well, there it is!

Mr. Nolan, You Insult Me, Sir

If you’re sitting at the car dealer, ready to put money down on that snappy red sports car and another you walks in the door and tells you that he’s from the future and you should instead buy the gray sedan because that way you’ll invent a time machine, don’t you believe him. There’s been a mistake.

I mean, with quantum mechanics maybe there’s a very, very, very tiny chance that it could happen, but it’s like a one-in-ten-trillion chance.

You see, I just finished watching Interstellar, the Christopher Nolan film. Man, am I disappointed.

He got me the first time with that movie Dunkirk. A well made, handsomely crafted film right up to that scene where the pilot sets fire to his Spitfire fighter plane to keep it from falling into German hands.

It’s a beautiful scene, the plane blazing away on the twilight beach, the German soldiers running up, the pilot standing proud and defiant.

And then you see that there is no engine in the plane. It’s clearly a plywood mockup, featuring a length of pipe in the place where the engine should be!

Mister Nolan, you insult me, sir! Palming off such shoddy filmmaking as art!

You couldn’t spend fifty bucks and just put a piece of sheet metal in there? Surely you saw the missing engine during post? Did you think no one would notice? Not even airplane nerds?

And so back to Interstellar, an intriguing movie about the nature of time. There are some heart-rending scenes – “don’t leave me, Daddy!” and “you mean there IS no plan A?”

The film begins in a farmhouse on a clearly dying earth…

Stick with me here because this is a good writer’s story.

The house seems to have a poltergeist, except the unseen ghost isn’t scary and is leaving clues instead of breaking stuff. “It’s a code!” Cooper exclaims, and figures out that the waves of dust on the floor are binary coordinates which lead him and his 10-year-old daughter to a secret NASA installation. Believe me, I’m not revealing a thing so far.

Cooper takes off with three others, including pretty Anne Hathaway trying to broaden her audience appeal (I CAN do real drama), into a wormhole and another galaxy and eventually down the maw of an ancient and evidently not-so-violent black hole.

Inside – okay – here comes the revealing. Stop reading if you don’t want know what happens. We’ll wait while you decide…

Still with us? Cool. Thanks 

Inside Cooper screams and whimpers a little bit – fine acting by Mr. McConaughey – and finds himself inside a beautifully rendered tesseract of unimaginable dimensions. I mean, seriously, here the filmmaking is beyond compare. It is stunning.

And then he finds himself inside the walls of that dusty farmhouse from two hours ago. There’s his 10-year-old daughter, and there’s him. He’s gone back in time. That’s cool.

We’re still okay.

Then he starts leaving clues.

Wait, you mean, HE was the poltergeist? HE left the binary clues that made farmhouse-him drive to the NASA installation in the first place?

So, current Cooper would not have gone to NASA if he hadn’t seen the binary signals future Cooper left for him in the dust. 

Doesn’t that mean that future Cooper uses the time machine he’s created to go tell past Cooper to create a time machine? 

You can’t do that! From a storytelling aspect, that’s cheating!  That’s like Prince  Charming knowing the glass slipper was Cinderella’s all along because he secretly told the fairy godmother to give it to her.

That’s a closed loop, with no entry point!

Every time loop must have a beginning, a point of entry. 

But we humans, we like to close loops and tie things up. You can imagine the writers thinking “it’d be so cool if, like, it was Cooper leaving the code…”  So poetic.

Mr. Nolan, you insult me again, sir!

More insulting are the people I’ve met who tell me that’Interstelallar is the best film ever. They’re so impressed by the pompous filmmaking they never even see the flaw in the story!

Granted, it is well made and breathtakingly beautiful. I can’t unsee the thousand-foot waves.

But your wiggly lights and gussied up dancing girls do not blind me to science, Mr. Nolan. Science!

So, the pretty and thunderous Interstellar is off my list of recommended movies. The Texas-sized plot hole cannot be explained away. Like the engine missing from the Spitfire, it’s too obvious to ignore.

And, Mr. Nolan is off my list of great directors. He makes a pretty film, surely, but I find his obvious disregard for the easily-fixed-but-clearly-flawed details quite insulting. It’s as if he’s saying “nobody will notice.”

Well I, sir, am that nobody. 

Trying to Talk about the Ocean

It’s been a minute, I know, since I last wrote about anything serious. I know, I get it.

But my wife’s left me for a baby – a grandkid on the other side of the country. She’ll be back next week, after leaving me to my own devices for a week and a few days. Me, three dogs, and a cat.

The dogs are all upset – I know this because they leave “little bombs” in the most curious places. Oh, yeah! I have to clean that one up, too!

I got in a major car crash last week – rear-ended on the freeway that totaled my wife’s little car. I’d taken it to save on gas – her suggestion, you know. Blammo! They, they came from behind! I’m okay, car not so much.

Somebody, and I don’t know whom, left a plate of yellow citrus fruits on one of my front columns – we have these sort of three-foot-tall columns around the edge of our corner lot – with a sign that said “Limes – free!” and a smiley face.

First, they were lemons, not limes. Second, my house is not a place for you to give away your stuff. There were easily a dozen lemons on the plate – not your friendly “I thought you might like these” kind of plate that normal people put on the porch. Not. Going. To. Happen.

I distributed the “limes” into the compost bin and put the plate back out on top of the column. But I set up a camera, see, so I could see who came back for the plate. They were too sneaky: the plate’s gone and the camera missed them.

It’s because I’ve been binging “Monk” on Netflix in my wife’s absence. If you don’t know, he’s a germophobic Rain Man sort of character who is also a brilliant Holmesian detective who lives in modern day San Francisco. I had no idea there were so many murders there!

It’s a cute show- the acting is good and they’re good at finding awkward places to put a guy who’s terrified to shake hands. Although he’s brilliant, he can’t make simple yes-no choices. So, who do they volunteer to be the Little League umpire? Strike! or ball. No, no, strike. or ball. Do over, please!

So, I’ve been thinking about that movie Soul. It’s a Pixar piece about a musician’s lost soul trying find his way to the promised land.

All he ever wanted to do was play “the big time” – to be a real musician.

Someone tells him this story – I know I’ve told it to you before: a young little fish swims up to the old fish and says “I’m looking for the ocean.”

“Son, this IS the ocean.”

“Nah, this just water!”

I’ve been thinking about writing, and realizing that I’m still looking for the ocean. I’ve written about this before, too, I know.

Hey, it’s been a tough week, okay?

I am so lucky to do what I do for a living. I’m a technical writer for the marketing department of a major manufacturer. I’ve been tasked with producing videos – marketing videos, social media, promotion pieces, training videos, safety videos. I love writing them, and doing the voiceover, and then shooting the footage and building the animations and editing it all together.

There’s this movie-industry-standard 3D rendering software called Cinema 4D that I use to create animations for these things. Because of that, now I get to produce the website renders of the company’s products as well.

It’s a terrific job, and I absolutely love what I do.

For all that, I’m still looking for the Big Time. I was thinking about it today, thinking all of the “yeah, but” things you say when you’re trying to make yourself feel small.

And then came that voice. It sounded like the late James Earl Jones:

“Son, this IS the ocean.”

I don’t know if I should be elated or disappointed.

My wife just needs to come home!

The Thing I Missed

You know how it is, when you’re on a date, and the person on the other side of the  breadsticks has that certain something that drives you to ask more and more questions because you don’t really care what they’re talking about, just that they’re talking?

It’s the sound of their voice – the way they form their words. It’s the authority with which they tell their own story. It’s the way they guide you through their adventure, with details so charming you would swear you were there with them.

It’s one of those dates you wish would never end, where the restaurant closes down around you and you don’t care. Time has flown and you have to get up early tomorrow and you don’t care because the person beyond the breadsticks is simply the most fascinating person in the world.

When the date is done and you’re by yourself,  you think about that person, replaying the things they said in your head.

It’s because that person has something about them, a special thing.

I’ve been on plenty of dates where the beyond the breadsticks person was drop-dead gorgeous, but they didn’t have the thing. Interesting, sure. Fun to look at, oh yeah. Compelling? Nope.

My oldest dog is not a well fellow. At almost 17, he wants to cuddle, and my spidey-sense tells me those opportunities are fading.

Sitting next to him on the loveseat in our three-book library, a copy of my third book, Adventures of a Sawdust Man, came to hand.

I just flipped it open (it was a copy I’d printed for my wife to read) and began to read.

The writing was good, concise. Dialog was funny in the right places and flowed smoothly. Words were well chosen.

Compelling?

Not in the least.

The novel on the other side of the breadsticks was pretty to look at, but so uninteresting. It was genuinely…oh, don’t say it! Don’t say it! Oh, here it comes…

Dull.

Now I understand why agents line up to take a pass on it.

I, of course, think it’s really good. But those are complements from the parents. No, you don’t look fat! Of course not. You’re not dull as a brick. Not my kid.

It’s the command of the circumstances, the sincerity in the words, the flat-out honesty in the feelings that bubble out of the characters that compels you to keep reading. I think.

My guys seem like cardboard cutouts.

The plan from here is to read a bestseller to identify that Thing. To go on a date with a really good book and see if I can pin down what makes it so compelling.

And then apply that to my novel.

From disaster comes opportunity.

The movie ain’t over until the credits roll…

Okabus Dokus

It’s a little known fact that the old Latin term for “okey-dokey” was okabus dokus. Look it up. What did the serving girl say to Julius Caesar when he asked her to get more grapes? I’m telling you, it’s a thing.

Or, maybe not.

I met with some old friends today that I haven’t seen in, like, 35 years. They’re not old, you know, relatively. But I hadn’t seen them for a long, long time.

We were discussing this and that and here and there, and I suddenly got this brain wave. Call me simple – go ahead, everybody else does – but how about this for a metaphor:

When you first start out on your own in the world, you don’t know anything. Here you are, twenty-something, and it’s all so bewildering. You don’t know where you’re going, or what you’re going to do.

One day follows another, and you get along. Careers, lovers, kids, they all come and go. All the while you’re putting one foot in front of the other, doing the best you can.

And then, one day, after a bunch of years, you pause to look back. And not like glancing in the rearview mirror at a red light, but a real look. You examine all the stuff that has happened on your road.

And it’s amazing. You started out at the edge of a dark forest, only seeing that little space just ahead of you.

But now there are towns and people and nations and oceans – all the stuff that you discovered and uncovered on your journey.

And there are the things that you did – stuff you created, accomplishments, awards, accolades, failures, disasters. All right there for you to see.

And loved ones, here in that town, there in that village. Kids, dogs, cats. They’re all there.

And right through the middle of all that is a beautifully paved road. Wasn’t there when you started, but it’s there now, because you paved it.

You linked all those towns and mountains and people and jobs and accomplishments together. You.

No matter where you are in life, at the beginning, the end, or somewhere in between, that beautiful road stretches out behind you, tying all the events of your life into one, continuous expanse of once-unknown but now treasured landscape.

The road ahead? Still an unknown. It’s like those video games where you clear the forest just enough to see what’s coming, but not where the road goes.

Which is cool, right? You can’t change the road ahead – no matter which way you take yourself, the road paves right underneath you.

So, what can you do?

Take a page from Julius Caesar. Put your thumb up in the air, smile, relax, and enjoy the ride.

Okubus dokus.

I can’t Afford to Drown

Once upon a time, in what could only have been a former life, I drowned.  I don’t think it was this life, because, well…

My wife and I went sailing with my college-graduate daughter today. She teaches at a city-run sailing and kayaking camp and has weekend access to the sailboats they use during the week.

If you know anything about me, you know that I have a great love for the exploits of Horatio Hornblower, Captain Aubrey, and my secret man-crush, Captain Bolitho.

C.S. Forester based his fictional Hornblower on the exploits of Thomas Cochrane and Horatio Nelson. O’Brien uses those same logs, plus others he’s researched, for Captain “Goldilocks” Aubrey. And Alexander Kent, the pen name of the well-established author Douglas Reeman, carried a lot of those same stories forward for Captain Richard Bolitho.

All of these fellows sailed for the Royal Navy during the Napoleonic Wars, chasing and capturing and sinking French and Spanish ships whenever the plot line needed it.

It’s hard to imagine that strangely elite brutality – packing 700 sailors into a ship of the line, sailing the seas to find a similarly-sized enemy, and then to fire iron balls at it until either he or you could fight no more. Victory is ours! Or theirs…

But, it calls to me. And I’ve written a book called Marigold’s End that predates Napoleon, but features that same kind of brutal combat. I love that book.

If you read it, you will love it, too. Or you might merely like it. Or perhaps even dislike it. Hate it. Loathe it. This isn’t going well.

Anyway, today we took a tiny 14-foot sailboat out into the frothing waves beyond the breakwater. Green waves that blotted out the horizon, lifted us way up so that we could see far down the coast, and then dropped us back into the deep trench again.

My daughter told us that last week one of her 9-year-old campers wasn’t dealing with the rise and fall very well. He leaned over the side for a moment, and then sat back up, much relieved.

“There goes my sausage!” he cheerfully announced.

We felt that the wind had gotten up a bit, so we circled around the 1-mile buoy, and then headed back to port.

I must tell you, I was absolutely panicked. I did my best to hide it, but, in a 14-footer, you are right on the water – like, it’s right there. And those waves were green and huge and omnipresent, and I could feel myself drowning right out there. That boat was surely going to tip over, and I would drown.

She turned the boat so that the waves came under our counter, pushing us back into the safety of the breakwater.

But I was in the water, holding onto a rope slung around the quarter of a large sailing ship, plunging under the wave each time a roller happened by. I can see it this moment. I can feel the cold and the panic and the sense of futility. This moment.

The image stayed with me all the way back to the dock, and rides with me here.

I dusted off my old model of the Black Falcon – oh, no need to be nice. It’s a dreadful model, I know – trying to see if I could shake this drowning feeling. No luck.

Now I know I have to write about it seriously. Deal with the story that’s literally dying to be told. I think I actually drowned while hanging onto that rope.

I’m pretty sure the image pops up in Marigold’s End. Now I have to reread it.

I want to rewrite it, but all rewrite projects are on hold for the next few weeks while I concentrate on selling Sawdust Man.

You see, it occurred to me, and this applies to you, that no one will sell your book for you. You have no representative, no agency, other than yourself.

If you don’t represent your book, it will remain unread. If you don’t sell it, it will never sell, and your story will remain untold.

So, I am actively beating the bushes until I find an agent to represent my current offering, Adventures of a Sawdust Man.

Once that is sold, well, maybe then I can afford to drown.

I can’t Afford to Drown

Once upon a time, in what could only have been a former life, I drowned.  I don’t think it was this life, because, well…

My wife and I went sailing with my college-graduate daughter today. She teaches at a city-run sailing and kayaking camp and has weekend access to the sailboats they use during the week.

If you know anything about me, you know that I have a great love for the exploits of Horatio Hornblower, Captain Aubrey, and my secret man-crush, Captain Bolitho.

C.S. Forester based his fictional Hornblower on the exploits of Thomas Cochrane and Horatio Nelson. O’Brien uses those same logs, plus others he’s researched, for Captain “Goldilocks” Aubrey. And Alexander Kent, the pen name of the well-established author Douglas Reeman, carried a lot of those same stories forward for Captain Richard Bolitho.

All of these fellows sailed for the Royal Navy during the Napoleonic Wars, chasing and capturing and sinking French and Spanish ships whenever the plot line needed it.

It’s hard to imagine that strangely elite brutality – packing 700 sailors into a ship of the line, sailing the seas to find a similarly-sized enemy, and then to fire iron balls at it until either he or you could fight no more. Victory is ours! Or theirs…

But, it calls to me. And I’ve written a book called Marigold’s End that predates Napoleon, but features that same kind of brutal combat. I love that book.

If you read it, you will love it, too. Or you might merely like it. Or perhaps even dislike it. Hate it. Loathe it. This isn’t going well.

Anyway, today we took a tiny 14-foot sailboat out into the frothing waves beyond the breakwater. Green waves that blotted out the horizon, lifted us way up so that we could see far down the coast, and then dropped us back into the deep trench again.

My daughter told us that last week one of her 9-year-old campers wasn’t dealing with the rise and fall very well. He leaned over the side for a moment, and then sat back up, much relieved.

“There goes my sausage!” he cheerfully announced.

We felt that the wind had gotten up a bit, so we circled around the 1-mile buoy, and then headed back to port.

I must tell you, I was absolutely panicked. I did my best to hide it, but, in a 14-footer, you are right on the water – like, it’s right there. And those waves were green and huge and omnipresent, and I could feel myself drowning right out there. That boat was surely going to tip over, and I would drown.

She turned the boat so that the waves came under our counter, pushing us back into the safety of the breakwater.

But I was in the water, holding onto a rope slung around the quarter of a large sailing ship, plunging under the wave each time a roller happened by. I can see it this moment. I can feel the cold and the panic and the sense of futility. This moment.

The image stayed with me all the way back to the dock, and rides with me here.

I dusted off my old model of the Black Falcon – oh, no need to be nice. It’s a dreadful model, I know – trying to see if I could shake this drowning feeling. No luck.

Now I know I have to write about it seriously. Deal with the story that’s literally dying to be told. I think I actually drowned while hanging onto that rope.

I’m pretty sure the image pops up in Marigold’s End. Now I have to reread it.

I want to rewrite it, but all rewrite projects are on hold for the next few weeks while I concentrate on selling Sawdust Man.

You see, it occurred to me, and this applies to you, that no one will sell your book for you. You have no representative, no agency, other than yourself.

If you don’t represent your book, it will remain unread. If you don’t sell it, it will never sell, and your story will remain untold.

So, I am actively beating the bushes until I find an agent to represent my current offering, Adventures of a Sawdust Man.

Once that is sold, well, maybe then I can afford to drown.

Secret Query Intel

You gotta keep this on the down-low, the ixnay to anybody, you didn’t hear this from me.

But.

My wife heard from the lovely sister-in-law (she read Adventures of a Sawdust Man a loooong time ago, in case you haven’t kept up with The Saga of Me), who has been inspired to begin her own writing project.

Hello? I call that a win in anyone’s book. Not that I inspired her, but that she’s inspired!

Anyway, she confessed to my darling wife that she never sent her notes, for which I waited so many long, desperate weeks, because she didn’t have any! She felt it was ready to publish.

Funnily enough, you can find it published here.

So, Fred Flintstone and I have been having this confab, you see. My Wilma told me she still sees a million clams in the cards. Now comes this notice of non-notiness from the lovely sister.

Are you thinking what I’m thinking, Pinky?

So, back to how to write a successful query letter.

Step One: Select an agent in your genre.

Step Two: Find an author in your genre that writes somewhat similar so that the potential agent can see your book on the shelf.

Aha, says I. So I have to nail it down that way, does I?

Well, I guess my book is a fantasy, becuase it uses a lot of magic, and it’s historical because it uses a lot of Shakespeare, and it’s Young Adult because one of the protagonists is 17.

So, here’s something to do on a foggy afternoon: do a Google search on the best fantasy novels of 2023.

OMG I’ve never so many lost kingdoms, overrun kingdoms, hidden, secret, forgotten,  blah blah blah… not to denigrate the many authors, but it’s all so, so dark.

Finally, after much searching, I found my guy. Liked him right from the git-go. Can’t tell you his name or I’ll screw the pooch.

But, when you find your author, you find their publisher. Dig just a little deeper, and you can find their literary agency.

Yeah, I said it. Literary. Agency.

Boom. Pay dirt. Scroll through the list of agents, pick out that certain someone, pray to the gods of all things printed that they’re open to queries, and go pick up your million clams!

Nobody tells you this, or maybe they do and I’m too stubborn to read it, but, hey, there it is.

Enjoy your million clams!

Fred Flintstone Calling

I’ve got this great idea, see. All’s ya gotsta do is get everybody in Uruguay to visit your site just once – they don’t even need to linger. That’s over 3.4 million views! Man, you are gonna rake in the dough!

So, the deal with Fred Flintstone – if you’re too young to know – was that he was a caveman, see, the head of a modern stone-age family. His wife, Wilma, and his neighbors Betty and Barney Rubble, lived in the town of Bedrock. A town just like yours and mine, except made out of rock.

It was a Hanna-Barbera cartoon series made in the early 1960’s and it was dopey fun.

Fred was every man’s everyman. He was living the caveman equivalent of the American Dream – good job, house in the ‘burbs, picket fence, nice ped-powered car.

A regular Joe, except that he had a penchant for making outlandish, foolproof plans to make a million clams. He was gonna quit the quarry and live the life of a millionaire, just as soon as his ship sailed.

“Barney boy, by this time tomorrow, we are gonna be livin’ like kings!”

Of course he never quite succeeded – Dino the dinosaur dog ate the proceeds, it turned out the ptero-chickens were all ptero-roosters,  Ann Margarock had to be in Rock Vegas on the night of the big event, etc.

At the end of every episode, there was Wilma, reminding him that he already had everything he needed right there in his little family. And he always sheepishly admitted she was right. “Wilma, you are the greatest…”

If you’re reading this, and I imagine you are, you probably have an inner Fred Flintstone yourself.

You’re thinking there’s always a chance, a long shot maybe, but a chance that this one, this stupid crazy-ass scheme, this could be the one. One in a million chance, but, hey, somebody’s gonna make it… Ten bazillion books get published and read every year, why not mine?

So, I recently gave up on my inner Fred. I was a little depressed, maybe. A little tired. I dunno.

I decided that this is the dish, this life o’ mine: this is my someday. Someday I’ll have a nice house in the ‘burbs and a pretty wife and 2.5 kids and a good job with a decent salary. Hey, I have all of that, so this must be it.

All righty, then, Fred. It’s been fun. Good luck with your crazy schemes. I’m hanging up the bronto-phone now – I gotta go mow the lawn.

So, I go and tell my wife, the very love of my life, that I’m hanging up my bronto-spurs, and quote that line from All Things Great and Small where Herriot tells a fellow that someday he’ll be a millionaire, and the fellow replies with “Nah, it’s not in the cards. Was I to be a millionaire, well, I’d be one already, don’t you see?”

My darling wife replies “well, let’s not be too hasty about that.”

Whoa, whoa, hold on, there. That’s a Fred Flintstone line, not a Wilma line! YOU can’t say I’m gonna make a million clams, because YOU’RE the voice of REASON!

Like a bolt out of the blue, I was gobsmacked, thunderstruck, and over the moon in a tizzy of heaven for-fend, she, she, she believes in my crazy schemes!

To quote Goofy, “gorshk.”

So, I’m opening everything back up – Skippity Whistles, California Air Museums, even hauling The Book in for a rewrite.

Do I have a plan?

Heck no! I’m making it up as I go! Never quote me the odds!

My wonderful wife, she, she believes in me!

Wilma: “Oh, Fred.” (Sighs and exits)

A Shift of Wit

You’re a writer – you know how it goes. You push and pull and shove your story into a nice straight line, solving problems and ironing out the bumps. And then a character pops up, and the whole thing goes to heck!

So, if you’ve followed along in The Story of Me, you’ll recall that I finally published the book – Adventures of a Sawdust Man.

It was great fun to write, and rewrite, and rewrite, and, well, finally to finish rewriting.

Here’s something I have to admit to you. I’m a little embarrassed,  but maybe it will help you, too.

Back at the end of the 90s, my life was an absolute mess. A dreadful divorce, a voice-over career that was stuck in the garage, and a management career that fell straight into the dumpstah. I couldn’t make anything work.

And I mysteriously got the idea that I had somehow screwed up back when I got out of college 20 years earlier. That I should have  gone to Hollywood to make my career and fortune, and, that had I done so, my life would not have been the shambles it had become.

I was kind of kicking the can  backward down the road,  blaming my current failures on an imagined failure 20 years in the past.

That sounds crazy, I know, but it was pervasive – it shaped my every thought.

I bought a partnership in a dreadful little business that failed at every turn, reinforcing the idea that I’d run away from my opportunities when I was out of school now almost 30 years before, and was, in effect, a dud. Thank goodness, the Great Recession put that awful business out of business.

As my world solidified and got better, that imagined failure ceased to be imaginary, and became true to me.

Since then, lo these last fifteen or so years, I’ve been scrambling to make up for lost time, to pull off a creative miracle and prove that, even though I turned my back on the opportunity to be like Steve Martin amd Robin Williams, I am NOT a dud.

I crafted all these websites, all these posts, scratched out these novels – somehow, somehow I can fix it. I’ve learned so much, somehow the Universe will see that I’ve changed… digging in the Unknown mines of the Internet to find the jewel that would restore me to my rightful place as a successful talent, wealthy, famous, etc, etc…

And then, just three weeks ago, I had a sharp and stunning memory. In discovering it, I felt as dumb as a box of rocks.

When I got out of school, way back in the late 70’s, I DID consider a Hollywood career. I remembered that I looked at it long and hard and that I orbited the citadel that was Variety magazine, reading the casting calls and actually driving to their locations.

And I remembered that I made the conscious choice to stay OUT of acting. I knew in my heart of hearts that I was a good imitator,  but not a good actor. I could imitate good actors, but I could not act.  I decided then that an acting career was not for me.

Whether I could act or not, the notion that I’d later picked up, that I was a Delbert Dumbbutt who somehow managed to miss a golden opportunity, simply wasn’t true.

OMG, you cannot imagine the weight that has lifted off of me, and off of my work!

I got nothing to prove, man. Nothing.

So, now, in the re-rewrite of that book, there is no weight, no pressure to prove that at least I’m a good writer. Now I can just tell the story my characters want me to write. A new one has already popped,  completely  changing the course of the book!

And yet, and yet, I have started all these websites and all these projects, and I do earn my daily bread as a professional writer. So, all was not in vain.

The message to you, my writerly friend, is to look long and hard at your assumptions, for they may not be what you think!

Searching for Los Alamos

Over the weekend my wife and I drove up to the Central Coast town of Santa Maria to shoot another California Air Museums episode.

The day was blustery, with rain squalls rattling the roof of the old hangers that house the Santa Maria Air Museum. It’s a fascinating little museum, more displays than airplanes, but, if you’re a movie buff, it’s one to not miss.

We got there late in the afternoon, just an hour before they closed at four. Once done, we weren’t quite ready to rush back to Ventura, and decided to visit a little burg called Los Alamos.

Now, here’s a story: back in California’s stagecoach days, a bandito named Solomon Pico stored his loot in a bunch of caves near Santa Maria. Of course, the loot’s never been found, and now the caves are buried under the Main Street of Los Alamos – oh, to have a sinkhole!

We got lost trying to find that little town and found ourselves in the even littler town of Casmalia.

A town so small that it literally has more letters in its name than it does buildings on its main street.

A post office, a boarded-up feed and grain store, and a big building that used to be a hotel back in the stagecoach days, rather swank from what we could discover. Now it’s a high-end steak house.

Having postponed our search for Los Alamos and Solomon Pico’s gold, we decided to find Point Sal Beach, and Point Sal Road turns out to be the main drag in Casmalia. In fact, it’s the only drag.

Jutting off from Highway 1, Point Sal Road quickly becomes one-and-a-half lanes, and takes you straight through Casmalia’s sleepy downtown, and, just about half a mile later, dumps you out in front of a Dead-End sign.  

It has nothing to do with Point Sal.

We dove into the steakhouse to answer the call of nature and spotted a lady sawing away on a steak that was easily the size of a baseball catcher’s mitt, except much thicker.  We tried not to stare, but, shoot, lady. What part of the cow was that thing?

And, here’s a stunner, there was no cell service in Casmalia! Like a scene from the Twilight Zone – we could get in, but couldn’t find our way out. Picture, if you will…

Eventually, after we figured out that Point Sal Road had nothing to do with Point Sal Beach, we retraced our steps back out of Casmalia, found the real Point Sal, and followed the looooong road to get to the parking lot at the bottom of the hill.

A hill? I thought Point Sal was a beach. Yes, yes it is. But you have to hike 5 miles over the hills to get there! Well, now it’s six o’clock, and the wind and rain and setting sun, and the… still, we gave it a go.

And got a mile and a half into the hills before the rain came and the clock hit seven and we realized that it would be dark before we got back to the truck.

Cold, wet, windblown, and muddy, we dragged ourselves into the truck in the moonlight that squeaked out between the rapidly moving clouds.

Trying to find our way home, we found Los Alamos, and had a lovely and elegant dinner at the only place open, a place simply called Pico, in the lobby of what was the rather swank Los Alamos Hotel. You know, back in the stagecoach days.

Is there point to this ramble about our ramble?

Yes, and the point is this: no matter where you are, you are always just minutes away from some far flung, wacky adventure.

Our jobs, yours and mine, as writers, is to seek out this crazy moment and use them to illuminate the worlds of our characters.

You know, like they did back in the stagecoach days!

On Being Who We are Not

I find it funny that we spend most of our lives figuring out who we are. Like Tigger in Winnie the Pooh – “that’s what Tiggers like best!” Only to find that we’ve generated what could be a rather longish list of things we are not.

My house reminds me every day of things that I am not.  It looks at me and whispers things like “you sure ain’t no plumber!”

Who made that patch in the wallboard, there? How come the orange-peel texture doesn’t look right? Did you replace the glass in that window? ‘Cause it kinda looks like it…

I noticed over the weekend the scars on my right arm, left over from when I had to replace the spark plugs every month in my Ford van. Because I am surely no mechanic!

Okay, be fair, now.

It was the heart of the Great Recession, and the company I owned had gone belly up. And that van had almost two hundred thousand miles on it, and needed serious work that just wasn’t in the budget. And that van, that thing was a Freestar, and had that transverse-mounted V-6, and you couldn’t even see the plugs on the rear side to get them in or out.

And you couldn’t reach ‘em from underneath, so you had to sort of hug the engine and stretch waaaaay down there into the dark first with your right hand to probe for the spark plug with your fingers, and then again with a wrench to get it out. Torque? Forget about it! And there were, like, the sharp ends of a hundred or so bolts sticking out of the firewall – oh it was tough, and it was bloody. And then you had to do the same thing again to put the new plug in!

Nope, not a mechanic.

So, my Honda Ridgeline ran out of windshield washer juice, see. And it seriously needs to be washed. And I can’t even see out of the windshield.

Now, in December we invested in kayaks, see, and put a set of racks on the truck to haul ‘em around.

But you can’t put the truck through the car wash with the racks on.

And now it’s March, see, and our schedules are soooo tight, there’s no chance of the boats seeing any water until at least May.

So, I’m out there with a 17mm ratcheting-box-head wrench, and my wife is looking at me, asking “why don’t we just wash the truck?”

I look at her for a long moment.

Our front lawn looks shaggy because we can mow it ourselves, thank you very much, but can’t find the time. The gate that leads to the side yard has new boards in it, but they aren’t painted yet, because, well, now I fixed the gate – and one of these days I’ll get around to painting it. And we just invested a huge pile of money in reworking our plumbing because, hey, it’s easy – alls ya gotsta do is buy one of them snake things, see?

“Because we never WILL wash the truck,” I reply sadly. “We will EVENTUALLY get to the lawn. SOMEDAY I’ll finish the gate. It turns out, we’re not those kinds of people. It’s not what we are.”

She looked at me thoughtfully, and then smiled.

“Do you need help taking the racks off?”

Just a quick note – the image for this post was generated for free at Craiyon.com. The prompt was “blue ford freestar with hood open and smoke coming out.” Sort of missed on the hood thing, but it’s pretty cool! Just thought I’d give them a shout out because their AI made the image for free.

Oh, uh, One More Thing

You probably remember Columbo’s trademark like “oh, and one more thing…”

It always came right near the end of the Columbo murder mystery series, back in the 1970’s. Peter Falk played this sort of bumbling detective who appeared to be misguided throughout the whole episode. But then, at the last, just as the murderer is about to get away with it, Columbo turns and says something like, “Oh, and one more thing. I thought maybe you could help me understand how, if the bedroom door was locked, your fingerprints are on the bedside lamp.”

Sometimes the murderer would say “Oh, you’re a clever one, Columbo,” or they’d stare at him, or they’d run. Sometimes they did all three. Of course, Columbo had all the exits covered.

So, I’ve been putting together a video review of the Estrella Warbirds Museum in Paso Robles for California Air Museums.

It’s a good video, featuring sections of our interview with author George J. Marrett, and looking at all kinds of stuff.

I got it all done, all buttoned up, and uploaded it to YouTube. If you haven’t done that, you have about four pages of questions to answer about the video, and you have to wait about 20 minutes for it to upload. You have to type in tags, and a description, and all kinds of stuff.

And then my daughter said: “You know, it should have subtitles.”

Ah. Subtitles. 

So, for a five-minute script with lots of voice-over and interview, it takes about an hour to add closed captions. YouTube presents you with a transcript of your video, and the AI is pretty good, although it couldn’t figure out the name Paso Robles. Pasa Rubbles. Pa saw rabbles. So you have to correct it, and you have to manage the timing so that the words show up as they are spoken in the video.

Now we’re in for a buck-and-a-half, timewise, at YouTube.

“I think you should refer to the author’s books,” my wife suggests.

In thinking about it, I realized she was right.

Back to DaVinci Resolve to edit the video. Dug up some graphics, added some voice-over, inserted 30 seconds devoted to the books, reworked the music at the end, rendered the video out again.

Went back to YouTube, downloaded the subtitles file so I could add it to the new video, deleted the video I’d just uploaded (it actually warns you that this video will be deleted forever – I’m kind of surprised it doesn’t go FOREVER-ever-ever-ver-er-r….), uploaded the new video, answered the four pages of questions, and was just about to push the PUBLISH button again, when my wife cleared her throat in that way that she does when she has an idea that she thinks is brilliant but you might not like but you should because it really is a good idea.

“One more thing…”

All right, Columbo, what is it?

“What if we cut the guy’s the clever comment that opens the video and put it at the end instead.”

As she explains it,  I’m nodding thoughtfully, although I’m thinking OMG you want me to shuffle the entire contents of the video ahead by, like, fifteen seconds? But my captions’ll be screwed! Don’t you ever want to get this published?

It took FOREVER to shift everything around in DaVinci. And I had to start all over again with the captions in YouTube.

But, it was a brilliant idea, and the video has a ton of charm that it wouldn’t have if she hadn’t played the role of Peter Falk.

All of this has a writer’s tale in it, as you can imagine. Even though we think of our writing as a closed-loop system: we sit in our cold stone garrets, frantically typing away, knowing they’ll never understand our sacrifice, in truth it can only ever be a system of give and take. Suggestions, comments, ideas come in, grudging changes go out, and the work is always, always better for it.

Oh, and, uh, one more thing… Thanks for reading!

Never Quote Me the Odds

So, I was shooting the breeze with this guy over the weekend… actually, he wasn’t just some guy, he’s a decorated test pilot, hero, and author, and I didn’t just shoot the breeze. It was an in-depth interview. Man, you can’t believe anything you read these days!

One of the best parts about being the author of California Air Museums, as well as being the host… just a quick stop here to point out to you marketers that, son a biscuit, that’s a nice link right there, right? See? Cross-platforms. It’s the way to go! Okay. Moving on… is that you get to visit some great museums, and meet some sincerely fascinating people.

George J. Marrett is the historian at the Estrella Warbirds Museum in Paso Robles, CA. An amazing individual, he worked for Howard Hughes, has written at least half a dozen books, has test-flown nearly every jet the United States produced since World War II, flew death-defying rescue missions in Vietnam, is building homeless shelters in Paso Robles, and happens to be just about the nicest guy you’re ever going to meet.

My wife and I spent a nice trio of hours talking with him about the museum, about Howard Hughes, and about the many aircraft he’d test-flown. The man is remarkably sharp, and, at 88, still flies. He said he’d keep flying until nobody wanted to fly with him anymore.

So many of the stories he told stuck with me, but there was one in particular that I’m still pondering.

During the Vietnam war, he flew fourth position in a flight of four A-1E Skyraiders – big, propellor-driven fighter planes produced right after the end of World War II. They were slow compared to the jet fighters, but they were robust, and they carried lots of weapons.

His job, along with the other three Skyraiders, was to clear the jungle around a downed American pilot by firing at the Viet Cong soldiers intent on making a capture, so that the Huey helicopters could come in rescue him. The big fighter planes would lumber over the jungle, firing a spray of machine gun bullets at anything that moved towards the downed pilot.

The Viet Cong often fought back. In one flight, George watched the plane in front of him get hit, watched the pilot parachute away, and then actually watched the plane spiral down to crash among the trees.

“It was an amazing sight,” he grinned. He had accidently applied his own air brakes, and was flying too slow to be safe. But it gave him time to watch the crash.

When he returned to base, his crew chief, the guy who takes care of the plane when it’s on the ground, told him he’d been hit.

“You got a couple of bullet holes in the wheel well,” the chief said. “You wanna see ’em?”

George thought about it for a moment, and then said “No. Don’t even tell me that.”

Focus on the success, right? Let’s not recount how close we almost got to failure. His first book, the one about those rescue missions, is called Cheating Death.

That’s a profound way to look at high-risk tasks, isn’t it?

I’m always, like, whoa, I almost crashed right then. Wow, I almost messed that up.

It reminds of the Star Wars line when C-3PO starts to tell Han Solo his chances of success…

“Never quote me the odds!”

So, how does this apply to us writers?

Well, the chances of your book getting picked up, or your article selling, or somebody reading your blog, are pretty much one in a…

Never quote me the odds.

Focus on where you’re going, not where you’ve been. I know George may have meant something far more profound that this, but we always apply the things we hear to ourselves, right?

So, when you’re submitting your book or your screenplay, or that magazine article, or whatever it is, and you hear that voice that starts to doubt the odds of your success, now you have an answer.

“Don’t tell me that. Never quote me the odds.”

You can learn more about the amazing George J. Marrett on Wikipedia and his many books on Amazon.

Happy flying.

No Guardians at the Gate

Cops and robbers. Parents and kids. Bosses and employees. There’s an hierarchical order to things. Officers and crew. Master and Commander. Editor and writer… Wait – not so fast.

Back in the early part of this century, I was the owner of a struggling business. It was awful. If you’re not a business person, and you find yourself owning a business it. is. the. worst. Dreadful, I tell you.

Luckily, the Great Recession wiped us out! I was so thrilled!

But that’s not the point of this post.

Back in those days, the Internet was unfolding like a reverse-engineered origami swan, and it was desperate for content. Desperate!

Guys like me, without any nerve or experience, suddenly found themselves writing articles on this, on that, how to do this, how to make that, how to create… you get the idea.

And we were paid – sometimes a tenth of a penny per word – but we were paid. My weekly paychecks ranged between fourteen dollars on a good week and about 38 cents…

But that’s not the point of this post.

So, the world wide web was a wild west for wily writers. You could get published same day for just about anything.

I became the science editor for two or three sites – my favorite was a site called Triond. Oh, we got along famously. I wrote over 200 articles on the Moons of Jupiter, the Moons of Saturn, the Mo… you get the idea.

I’m sure you’ve heard the word churnalism? If you rewrite stories that have been written by someone else and add your own special spin to them, you’re not a journalist. You’re just churning up somebody else’s work – you’re a churnalist.

Ah, those were heady days, being a seriously underpaid churnalist, cranking out somebody else’s ideas and expected huge rewards. Sigh. How I miss them…

Fast forward to the Roaring Twenties, and now it’s all about books. You can publish your book for free!

I know, I’ve published two!

Smashwords, the company through which I’m publishing my books, has merged with Draft2Digital, a company that distributes your books all over the English-speaking world.

I’m enjoying the experience so far. Haven’t sold a copy, but mighty oaks come from tiny acorns.

And now D2D, as they refer to themselves, has offered to print my book.

What? Print? My name and likeness, right there on a paperback book? What? FINALLY?!?

My brilliant wife and I talked all about it, me on the oh-please-oh-please-oh-please side, she on the let’s-think-about-this side.

Publishers have editors that read books and decide what is and is not crap.

Who edited my book? What about yours?

E-books are often free, making them comfortably less than a dime a dozen. They consume digital resources, but that’s all.

Literary agents will tell you they get 10,000 queries a year. Based on what I’ve written, I know that by far the highest majority of those queries are from crap books.

Crap books.

So, D2D will print my book. They’ll print your book. They’ll print that guy’s book.

But that guy’s a crap writer (not like you and I).

So, here’s his shiny new book, right on the shelf next to ours. His opens with “This is how I spend my summers, over at uncle Bob’s house where my cousin Larry has like a big dog and this blue Toyota that doesn’t run so good. Anyway…”

Our books are good, earnest efforts with great plots and wonderful characters and creditable dialog.

But there’s nothing to separate them, no differentiator between our brilliant work and that guy’s joke of a junk book.

The buying public picks up that guy’s book, mutters in dismay, and quickly backs away from the book rack.

“Good heavens,” they gasp. “What a bunch of junk books!”

You and me, our books are great! Don’t judge us by that guy’s cover! But you know they will.

There we sit, side by each, our pearls, his swine.

My thinking is this:

In digital publishing, caveat emptor. Let the buyer read the description and download the free chapters and choose from there.

In physical publishing, that book had better be worth the ink and the paper and the resources to produce it.

Sadly, we know that that guy thinks his book is that good. But you and I know much better.

My wife is right. If there is no longer a guardian at the gate, no Random House holding sway over what gets printed, if the individual writer sets the standard for what shows up in paper, doesn’t it sort of feel like all is lost?

D2D doesn’t charge you anything to print your book. They make their money when the copies actually sell. But what happens to those copies that don’t sell?

I would imagine they go on sale, and then on super sale, and then on deep discount, and then on closeout, and then on clearance, and they finally sell for, like, a dime or something. Better that than throw them in the dumpster – at least D2D makes a little money on it.

Is that what awaits our books, yours and mine? We end up selling every printed copy for a dime each to some clearing house that shreds them up for the paper they’re printed on? All because of that guy’s crap book?

Congratulations! Your book sold 200 copies! Your share of the profits comes out to 6 dollars and 41 cents, because D2D took the first 15% of the dime and the bulk-book aggregator took the next 25%. Oh, and you won’t get a check until you sell $100 in books, but, hey, congratulations!

Call me a dreamer, a starry-eyed hopeful, but I’ll be building my audience the old-fashioned way – through digital publishing and advertising and doing nothing – until I’m discovered by an old-school publisher who has a strong editorial voice and a marketing staff that will just set the world on fire.

Wait, that guy sold 400 copies?!? Hey, wait a minute…

Skip the Workout

I rewatched Conan the Barbarian a couple of weeks ago – Thulsa Doom: “People have no sense of what they do…”

Yessir, that Conan is one tough cookie. If you haven’t seen the movie, the first one from 1982, you don’t need to. Oh, it’s good, but it’s rough, and just downright dumb in places.

Conan gains his freedom, finds his ancient sword, and then comes across a scantily clad, beautiful witch who lives in a hut between some rocks. These were ancient times, like before the Greeks, so, you know, it could totally happen.

They get briefly entangled, so to speak, and she gasps out in happy little spasms the name of the town to which he must go, and then turns into a werewolfy/wildcatty monster sort of thing that he tosses into the fire. She rolls off the other side of the fire and dashes out the door, now a bright shining energy ball that clings and clangs off of stones like something from a Miyazaki movie, dashing out of the scene with a sped-up giggling laugh like a chipmunk. Again, these were ancient times: it could happen.

But, for the rest of the film, we never hear from that character again, we never visit the town she mentions, and we’re left wondering, okay, so, like, what was with the witch? You know, beyond a cameo performance for the director’s cousin or something?

If you read Arnold Schwarzenegger’s book, he goes on and on about how he did all the workouts, all of the reps, all of the leg-lifts, etc., etc. to become Mr. Universe by the time he was 20. Then he took acting classes and diction classes and dancing classes and fighting classes and ballet classes and horseback riding classes so that he could become an action-hero movie star – Conan.

After closing the book, I set about busily busting my own chops over not taking the writing courses and the English courses and the writer workshops and the, I don’t know, writer workshops… wait, I already said that one… I could have taken so that I could become the Mr. Universe of writers. 

No wonder it’s tough to sell my books. I didn’t do the workouts!

But then there’s that scene in Conan with the witch, and you start to go hey, wait a second. Arnold didn’t direct or write the movie, of course, but the film grossed over $79 million – you could say it did all right – and it had that wretched, confusing, gratuitous scene in it.

So, maybe it aint the workouts.

You and I, we’re writers. We work on crafting sentences – each paragraph is our workout.

When we string all those paragraphs together into a screenplay, or into a novel, I imagine the finished piece is our Mr. or Ms. Universe kind of thing.

So, I think it’s safe to say that, by constantly writing, you and I are NOT skipping the workouts.

So, for whoever penned that witch scene, you and I are witnesses to that person’s Mr. or Ms. Universe victory (given the nature of the scene, I’m pretty sure the writer was a guy). He won the contest! And I hope he made a bundle of money – maybe sent the kids to college or something.

You and I know that if we don’t do the workouts, we cease to be writers and just sit around, taking up air.

The message to us here must be that we gotta keep doing the workouts, keep writing, and keep submitting our stuff, because you never know when you’re going to Mr. or Ms. Universe.

I mean, it worked for the witch!

It’s Published!

What’s published, you ask? And by whom? Why, it, and by me!

So, I’ve been slogging through the demeaning task of writing query letters to literary agents. OMG, that IS a slog!

Acquiring a literary agent is a sisyphean task on a good day.

Okay, I had to go look up sisyphean because I’ve only ever heard it said. Sisyphus got condemned to roll a boulder up a hill, see, only to have it come tumbling back down, each and every day for all of eternity. One assumes getting it up the hill was a somewhat arduous task, sooooo…

Here’s a good literary put down:

Knock, knock

Who’s there?

To

To who?

It’s to whom, actually

None of this is the point! Here’s the point:

My newest novel, The Adventures of a Sawdust Man, is PUBLISHED!!!

Yes, I published it myself. No, it’s not Random House, or Penguin, or Disney.

Yet.

I’ve already sold three copies – and it’s only been up for two days. If you do the math… lemme see, carry the one… uh huh, yep. By my calculations, at this rate, I’ll have sold at least two dozen by the end of the year!

But of course, it’s not about making money.

Yet.

The thing is, even as I was writing those insipid query letters, I could see that no agent would touch my book.

It’s a fairy tale without any fairies. It’s a romance without any love scenes. It’s a tale of unrequited love that never quite gets resolved.

Who wants to publish that?

So, for my book to see the light of day, for it to get discovered as a valuable piece of the Canon of human literature, I had to publish it myself.

And I am so excited to share it with you! Here’s the link. Don’t pay the five bucks – set the price to $0 and have at it. And lemme know whatcha think!

Another reason that I’ve published the book is because I seem to have gone mad over the sound of my own voice, and my best friend and darling wife have both suggested it would make a good audio book.

Can you spell Podcast?

Thank you for traveling along with me on this wild adventure. Maybe, by publishing my work, you might be encouraged to publish yours? I truly hope so.

I wish you every success!

Trying to be a Giant

Did you ever notice how the Jolly Green Giant says “ho, ho, ho” kind of the way Santa Claus does? Could this be in error, or are they related? Maybe they’re the same guy. I mean, you never see them together…

Santa Claus is kind of a giant at Christmastime – not in the Fee Fie Foe Fum way, but, you know, what with his mug on cards, in stores, standing outside houses, sitting in the mall dealing with squirmy little kids that really don’t want to be there, he kind of owns the retail end of the holidays. 

Yeah, Santa Claus is a giant. 

I’ve been thinking about that. About being a giant.

You and I are writers, right? We have our different styles, our different preferred genres, but, at the end of the day, we both put words on a page, or into a document. It’s what we do, right?

So, I have a secret mantra. When I get scared or stressed out, I have this set of seven platitudes that calms me down. 

It’s calming because of the words, of course, but also because it takes so dang long to get through all seven.

Next time you have to go wee and you just can’t possibly hold it in for another second, count backwards from 5 before you go. It sounds loony, but you’ll be surprised that you can do it. You absolutely just have to go this very second…5, 4, 3, 2, 1… and now go. How is it possible that you can hold it long enough to do the countdown?

It’s mind over matter. You give your brain a little puzzle – it’s super easy to count up, but counting down takes a little thinking – and your brain stops focusing on going wee while it solves the puzzle.

I think that’s how this long mantra works. Here it is:

Be of good cheer. Keep working. Keep an open mind. Keep an open heart. Have faith. Have confidence. And don’t forget who you are. 

Self-explanatory, yes? As time progresses, we’ll go into each of these with a finer-tooth comb, but you get the gist, right?

Have faith -I’m not a religious guy, so my faith is that the universe is not evil (neither is it benevolent), so dark forces are not working against me. That’s dumb, I know, but it’s where I live.

Have confidence – that’s about your work. Have confidence in your work, because it’s what you do.

Even if I’m not a spectacularly good writer, and I’m truly not, I can still take confidence that my writing is done to the best of my ability. I’m confident that I’ve done my best.

We can always learn to write better. You can know for certain that even Hemingway flipped his sentences around to find better ways of saying things. It’s just what we do.

So, here’s my question: was Hemingway a giant? Of course he was – we don’t even use his first name. Just like saying Santa, the world knows who we are talking about, right?

Why am I, then, not a giant? Well, fame, of course, which is a result of not getting my work into the right hands, and also perhaps of my being a crummy writer.

Now, I am in no way comparing myself to Hemingway. I mean, the guy was truly a literary giant. He had a unique and compelling voice that could not be replicated.

But here’s my thinking: no one in the universe – no one – writes the way you and I do. No one. When we write something down, some sentence cleverly crafted to the very best of our ability, have we not added to the canon of human literature?

The canon of human literature. 

Wow. But isn’t that what we do? Don’t we add to this vast body of written works, making it richer and more diverse with our points of view and choices of words? With our thoughts. 

Does that not make us giants?

Alas, Santa gets the credit, but the elves make the toys and fill the sleigh, right? Santa is a giant, but what about the elves? Maybe each one is an unsung giant in their own field – a giant of a little wooden wheel hammerer. Nobody does it like Snoggnar – she’s a tiny little giant in her field.

So, now I’m thinking about adding another phrase to my mantra: Be a giant in your work.

I know. Adding an eighth platitude kind of messes up the symmetry of the magical seven, and I’m not ever sure what being a giant means. 

I think of Dr. Malcolm in Jurassic Park: “they’re, uh, standing on the shoulders of giants…”

Lemme know what you think!

And thank you for reading.

You big ol’ giant, you!

My Kingdom for a Scorpion

You’re a writer – you know how it goes. You get fixated on this idea, and it just won’t go away until you finally get it sprawled out on a piece of paper.

Same thing with videos.

During our visit to the SoCal Wing of the Commemorative Air Force for the California Air Museums project, Ron Fleishman, the Wing’s historian, told us this great story about something called The Battle of Palmdale.

The story’s about the powerful and massive Grumman F6F-5 Hellcat fighter, a single-engine airplane that can rightfully claim the lion’s share of air victories in the skies over the Pacific during WW II.

Like the compact disc, the cassette tape, and the LP vinyl record, technology bypassed these remarkable airplanes so quickly that they were obsolete within two years of the war’s end. By 1956 they were used as radio-controlled drone targets for guided missiles – they didn’t even rate a pilot.

So, anyway, this battle story involves one of these remote-control Hellcats that goes haywire and flies, completely out of control, over Los Angeles in 1956.

The Air Force dispatches two state-of-the-art F-89 Scorpion jets to shoot it down, but they fail. And not just fail, but, COMPLETELY fail, firing a total of 208 missiles at the lumbering old timer – every single one of them miss.

It’s a great story, and I think it would make a terrific video. Now, of course, you can’t quite get your hands on real airplanes, but, hey, what about 3D models?

You can score a good-looking Hellcat for five bucks on Turbosquid.

But an F-89? Fogeddaboudit!

I scrolled through literally thousands of models, wishing, and a’hoping, and a’praying that somebody mislabeled their model when they uploaded it. Hey, it could happen!

F-4s, F-15s, F-16s, F-18s, 22s,35s, 84s, 86s, 100s, even F-101 Voodoo fighter jets aplenty were to be found.

But an F-89 Scorpion? No, sir, not to be found in this man’s 3D universe. What’s up with that?

Actually, I did finally find one, and it was for free, but you had to sign up for this guy’s website, and that was, like, $65. Uh, no, thank you.

So, yes, I did find one. And, although I’d gladly trade my kingdom for a good model, I’m not uh idiot!

And that means the story has to stay on hold until I can figure out another way to shoot it. There are several videos on The Battle of Palmdale, but they all use old stock footage from the DOD.

Surely we can do better!

Hmm, how to acquire a Scorpion… and evil plot unfolds…