Tag: writing

Fred Flintstone Calling

I’ve got this great idea, see. All’s ya gotsta do is get everybody in Uruguay to visit your site just once – they don’t even need to linger. That’s over 3.4 million views! Man, you are gonna rake in the dough!

So, the deal with Fred Flintstone – if you’re too young to know – was that he was a caveman, see, the head of a modern stone-age family. His wife, Wilma, and his neighbors Betty and Barney Rubble, lived in the town of Bedrock. A town just like yours and mine, except made out of rock.

It was a Hanna-Barbera cartoon series made in the early 1960’s and it was dopey fun.

Fred was every man’s everyman. He was living the caveman equivalent of the American Dream – good job, house in the ‘burbs, picket fence, nice ped-powered car.

A regular Joe, except that he had a penchant for making outlandish, foolproof plans to make a million clams. He was gonna quit the quarry and live the life of a millionaire, just as soon as his ship sailed.

“Barney boy, by this time tomorrow, we are gonna be livin’ like kings!”

Of course he never quite succeeded – Dino the dinosaur dog ate the proceeds, it turned out the ptero-chickens were all ptero-roosters,  Ann Margarock had to be in Rock Vegas on the night of the big event, etc.

At the end of every episode, there was Wilma, reminding him that he already had everything he needed right there in his little family. And he always sheepishly admitted she was right. “Wilma, you are the greatest…”

If you’re reading this, and I imagine you are, you probably have an inner Fred Flintstone yourself.

You’re thinking there’s always a chance, a long shot maybe, but a chance that this one, this stupid crazy-ass scheme, this could be the one. One in a million chance, but, hey, somebody’s gonna make it… Ten bazillion books get published and read every year, why not mine?

So, I recently gave up on my inner Fred. I was a little depressed, maybe. A little tired. I dunno.

I decided that this is the dish, this life o’ mine: this is my someday. Someday I’ll have a nice house in the ‘burbs and a pretty wife and 2.5 kids and a good job with a decent salary. Hey, I have all of that, so this must be it.

All righty, then, Fred. It’s been fun. Good luck with your crazy schemes. I’m hanging up the bronto-phone now – I gotta go mow the lawn.

So, I go and tell my wife, the very love of my life, that I’m hanging up my bronto-spurs, and quote that line from All Things Great and Small where Herriot tells a fellow that someday he’ll be a millionaire, and the fellow replies with “Nah, it’s not in the cards. Was I to be a millionaire, well, I’d be one already, don’t you see?”

My darling wife replies “well, let’s not be too hasty about that.”

Whoa, whoa, hold on, there. That’s a Fred Flintstone line, not a Wilma line! YOU can’t say I’m gonna make a million clams, because YOU’RE the voice of REASON!

Like a bolt out of the blue, I was gobsmacked, thunderstruck, and over the moon in a tizzy of heaven for-fend, she, she, she believes in my crazy schemes!

To quote Goofy, “gorshk.”

So, I’m opening everything back up – Skippity Whistles, California Air Museums, even hauling The Book in for a rewrite.

Do I have a plan?

Heck no! I’m making it up as I go! Never quote me the odds!

My wonderful wife, she, she believes in me!

Wilma: “Oh, Fred.” (Sighs and exits)

Oh, uh, One More Thing

You probably remember Columbo’s trademark like “oh, and one more thing…”

It always came right near the end of the Columbo murder mystery series, back in the 1970’s. Peter Falk played this sort of bumbling detective who appeared to be misguided throughout the whole episode. But then, at the last, just as the murderer is about to get away with it, Columbo turns and says something like, “Oh, and one more thing. I thought maybe you could help me understand how, if the bedroom door was locked, your fingerprints are on the bedside lamp.”

Sometimes the murderer would say “Oh, you’re a clever one, Columbo,” or they’d stare at him, or they’d run. Sometimes they did all three. Of course, Columbo had all the exits covered.

So, I’ve been putting together a video review of the Estrella Warbirds Museum in Paso Robles for California Air Museums.

It’s a good video, featuring sections of our interview with author George J. Marrett, and looking at all kinds of stuff.

I got it all done, all buttoned up, and uploaded it to YouTube. If you haven’t done that, you have about four pages of questions to answer about the video, and you have to wait about 20 minutes for it to upload. You have to type in tags, and a description, and all kinds of stuff.

And then my daughter said: “You know, it should have subtitles.”

Ah. Subtitles. 

So, for a five-minute script with lots of voice-over and interview, it takes about an hour to add closed captions. YouTube presents you with a transcript of your video, and the AI is pretty good, although it couldn’t figure out the name Paso Robles. Pasa Rubbles. Pa saw rabbles. So you have to correct it, and you have to manage the timing so that the words show up as they are spoken in the video.

Now we’re in for a buck-and-a-half, timewise, at YouTube.

“I think you should refer to the author’s books,” my wife suggests.

In thinking about it, I realized she was right.

Back to DaVinci Resolve to edit the video. Dug up some graphics, added some voice-over, inserted 30 seconds devoted to the books, reworked the music at the end, rendered the video out again.

Went back to YouTube, downloaded the subtitles file so I could add it to the new video, deleted the video I’d just uploaded (it actually warns you that this video will be deleted forever – I’m kind of surprised it doesn’t go FOREVER-ever-ever-ver-er-r….), uploaded the new video, answered the four pages of questions, and was just about to push the PUBLISH button again, when my wife cleared her throat in that way that she does when she has an idea that she thinks is brilliant but you might not like but you should because it really is a good idea.

“One more thing…”

All right, Columbo, what is it?

“What if we cut the guy’s the clever comment that opens the video and put it at the end instead.”

As she explains it,  I’m nodding thoughtfully, although I’m thinking OMG you want me to shuffle the entire contents of the video ahead by, like, fifteen seconds? But my captions’ll be screwed! Don’t you ever want to get this published?

It took FOREVER to shift everything around in DaVinci. And I had to start all over again with the captions in YouTube.

But, it was a brilliant idea, and the video has a ton of charm that it wouldn’t have if she hadn’t played the role of Peter Falk.

All of this has a writer’s tale in it, as you can imagine. Even though we think of our writing as a closed-loop system: we sit in our cold stone garrets, frantically typing away, knowing they’ll never understand our sacrifice, in truth it can only ever be a system of give and take. Suggestions, comments, ideas come in, grudging changes go out, and the work is always, always better for it.

Oh, and, uh, one more thing… Thanks for reading!

Never Quote Me the Odds

So, I was shooting the breeze with this guy over the weekend… actually, he wasn’t just some guy, he’s a decorated test pilot, hero, and author, and I didn’t just shoot the breeze. It was an in-depth interview. Man, you can’t believe anything you read these days!

One of the best parts about being the author of California Air Museums, as well as being the host… just a quick stop here to point out to you marketers that, son a biscuit, that’s a nice link right there, right? See? Cross-platforms. It’s the way to go! Okay. Moving on… is that you get to visit some great museums, and meet some sincerely fascinating people.

George J. Marrett is the historian at the Estrella Warbirds Museum in Paso Robles, CA. An amazing individual, he worked for Howard Hughes, has written at least half a dozen books, has test-flown nearly every jet the United States produced since World War II, flew death-defying rescue missions in Vietnam, is building homeless shelters in Paso Robles, and happens to be just about the nicest guy you’re ever going to meet.

My wife and I spent a nice trio of hours talking with him about the museum, about Howard Hughes, and about the many aircraft he’d test-flown. The man is remarkably sharp, and, at 88, still flies. He said he’d keep flying until nobody wanted to fly with him anymore.

So many of the stories he told stuck with me, but there was one in particular that I’m still pondering.

During the Vietnam war, he flew fourth position in a flight of four A-1E Skyraiders – big, propellor-driven fighter planes produced right after the end of World War II. They were slow compared to the jet fighters, but they were robust, and they carried lots of weapons.

His job, along with the other three Skyraiders, was to clear the jungle around a downed American pilot by firing at the Viet Cong soldiers intent on making a capture, so that the Huey helicopters could come in rescue him. The big fighter planes would lumber over the jungle, firing a spray of machine gun bullets at anything that moved towards the downed pilot.

The Viet Cong often fought back. In one flight, George watched the plane in front of him get hit, watched the pilot parachute away, and then actually watched the plane spiral down to crash among the trees.

“It was an amazing sight,” he grinned. He had accidently applied his own air brakes, and was flying too slow to be safe. But it gave him time to watch the crash.

When he returned to base, his crew chief, the guy who takes care of the plane when it’s on the ground, told him he’d been hit.

“You got a couple of bullet holes in the wheel well,” the chief said. “You wanna see ’em?”

George thought about it for a moment, and then said “No. Don’t even tell me that.”

Focus on the success, right? Let’s not recount how close we almost got to failure. His first book, the one about those rescue missions, is called Cheating Death.

That’s a profound way to look at high-risk tasks, isn’t it?

I’m always, like, whoa, I almost crashed right then. Wow, I almost messed that up.

It reminds of the Star Wars line when C-3PO starts to tell Han Solo his chances of success…

“Never quote me the odds!”

So, how does this apply to us writers?

Well, the chances of your book getting picked up, or your article selling, or somebody reading your blog, are pretty much one in a…

Never quote me the odds.

Focus on where you’re going, not where you’ve been. I know George may have meant something far more profound that this, but we always apply the things we hear to ourselves, right?

So, when you’re submitting your book or your screenplay, or that magazine article, or whatever it is, and you hear that voice that starts to doubt the odds of your success, now you have an answer.

“Don’t tell me that. Never quote me the odds.”

You can learn more about the amazing George J. Marrett on Wikipedia and his many books on Amazon.

Happy flying.

No Guardians at the Gate

Cops and robbers. Parents and kids. Bosses and employees. There’s an hierarchical order to things. Officers and crew. Master and Commander. Editor and writer… Wait – not so fast.

Back in the early part of this century, I was the owner of a struggling business. It was awful. If you’re not a business person, and you find yourself owning a business it. is. the. worst. Dreadful, I tell you.

Luckily, the Great Recession wiped us out! I was so thrilled!

But that’s not the point of this post.

Back in those days, the Internet was unfolding like a reverse-engineered origami swan, and it was desperate for content. Desperate!

Guys like me, without any nerve or experience, suddenly found themselves writing articles on this, on that, how to do this, how to make that, how to create… you get the idea.

And we were paid – sometimes a tenth of a penny per word – but we were paid. My weekly paychecks ranged between fourteen dollars on a good week and about 38 cents…

But that’s not the point of this post.

So, the world wide web was a wild west for wily writers. You could get published same day for just about anything.

I became the science editor for two or three sites – my favorite was a site called Triond. Oh, we got along famously. I wrote over 200 articles on the Moons of Jupiter, the Moons of Saturn, the Mo… you get the idea.

I’m sure you’ve heard the word churnalism? If you rewrite stories that have been written by someone else and add your own special spin to them, you’re not a journalist. You’re just churning up somebody else’s work – you’re a churnalist.

Ah, those were heady days, being a seriously underpaid churnalist, cranking out somebody else’s ideas and expected huge rewards. Sigh. How I miss them…

Fast forward to the Roaring Twenties, and now it’s all about books. You can publish your book for free!

I know, I’ve published two!

Smashwords, the company through which I’m publishing my books, has merged with Draft2Digital, a company that distributes your books all over the English-speaking world.

I’m enjoying the experience so far. Haven’t sold a copy, but mighty oaks come from tiny acorns.

And now D2D, as they refer to themselves, has offered to print my book.

What? Print? My name and likeness, right there on a paperback book? What? FINALLY?!?

My brilliant wife and I talked all about it, me on the oh-please-oh-please-oh-please side, she on the let’s-think-about-this side.

Publishers have editors that read books and decide what is and is not crap.

Who edited my book? What about yours?

E-books are often free, making them comfortably less than a dime a dozen. They consume digital resources, but that’s all.

Literary agents will tell you they get 10,000 queries a year. Based on what I’ve written, I know that by far the highest majority of those queries are from crap books.

Crap books.

So, D2D will print my book. They’ll print your book. They’ll print that guy’s book.

But that guy’s a crap writer (not like you and I).

So, here’s his shiny new book, right on the shelf next to ours. His opens with “This is how I spend my summers, over at uncle Bob’s house where my cousin Larry has like a big dog and this blue Toyota that doesn’t run so good. Anyway…”

Our books are good, earnest efforts with great plots and wonderful characters and creditable dialog.

But there’s nothing to separate them, no differentiator between our brilliant work and that guy’s joke of a junk book.

The buying public picks up that guy’s book, mutters in dismay, and quickly backs away from the book rack.

“Good heavens,” they gasp. “What a bunch of junk books!”

You and me, our books are great! Don’t judge us by that guy’s cover! But you know they will.

There we sit, side by each, our pearls, his swine.

My thinking is this:

In digital publishing, caveat emptor. Let the buyer read the description and download the free chapters and choose from there.

In physical publishing, that book had better be worth the ink and the paper and the resources to produce it.

Sadly, we know that that guy thinks his book is that good. But you and I know much better.

My wife is right. If there is no longer a guardian at the gate, no Random House holding sway over what gets printed, if the individual writer sets the standard for what shows up in paper, doesn’t it sort of feel like all is lost?

D2D doesn’t charge you anything to print your book. They make their money when the copies actually sell. But what happens to those copies that don’t sell?

I would imagine they go on sale, and then on super sale, and then on deep discount, and then on closeout, and then on clearance, and they finally sell for, like, a dime or something. Better that than throw them in the dumpster – at least D2D makes a little money on it.

Is that what awaits our books, yours and mine? We end up selling every printed copy for a dime each to some clearing house that shreds them up for the paper they’re printed on? All because of that guy’s crap book?

Congratulations! Your book sold 200 copies! Your share of the profits comes out to 6 dollars and 41 cents, because D2D took the first 15% of the dime and the bulk-book aggregator took the next 25%. Oh, and you won’t get a check until you sell $100 in books, but, hey, congratulations!

Call me a dreamer, a starry-eyed hopeful, but I’ll be building my audience the old-fashioned way – through digital publishing and advertising and doing nothing – until I’m discovered by an old-school publisher who has a strong editorial voice and a marketing staff that will just set the world on fire.

Wait, that guy sold 400 copies?!? Hey, wait a minute…

Skip the Workout

I rewatched Conan the Barbarian a couple of weeks ago – Thulsa Doom: “People have no sense of what they do…”

Yessir, that Conan is one tough cookie. If you haven’t seen the movie, the first one from 1982, you don’t need to. Oh, it’s good, but it’s rough, and just downright dumb in places.

Conan gains his freedom, finds his ancient sword, and then comes across a scantily clad, beautiful witch who lives in a hut between some rocks. These were ancient times, like before the Greeks, so, you know, it could totally happen.

They get briefly entangled, so to speak, and she gasps out in happy little spasms the name of the town to which he must go, and then turns into a werewolfy/wildcatty monster sort of thing that he tosses into the fire. She rolls off the other side of the fire and dashes out the door, now a bright shining energy ball that clings and clangs off of stones like something from a Miyazaki movie, dashing out of the scene with a sped-up giggling laugh like a chipmunk. Again, these were ancient times: it could happen.

But, for the rest of the film, we never hear from that character again, we never visit the town she mentions, and we’re left wondering, okay, so, like, what was with the witch? You know, beyond a cameo performance for the director’s cousin or something?

If you read Arnold Schwarzenegger’s book, he goes on and on about how he did all the workouts, all of the reps, all of the leg-lifts, etc., etc. to become Mr. Universe by the time he was 20. Then he took acting classes and diction classes and dancing classes and fighting classes and ballet classes and horseback riding classes so that he could become an action-hero movie star – Conan.

After closing the book, I set about busily busting my own chops over not taking the writing courses and the English courses and the writer workshops and the, I don’t know, writer workshops… wait, I already said that one… I could have taken so that I could become the Mr. Universe of writers. 

No wonder it’s tough to sell my books. I didn’t do the workouts!

But then there’s that scene in Conan with the witch, and you start to go hey, wait a second. Arnold didn’t direct or write the movie, of course, but the film grossed over $79 million – you could say it did all right – and it had that wretched, confusing, gratuitous scene in it.

So, maybe it aint the workouts.

You and I, we’re writers. We work on crafting sentences – each paragraph is our workout.

When we string all those paragraphs together into a screenplay, or into a novel, I imagine the finished piece is our Mr. or Ms. Universe kind of thing.

So, I think it’s safe to say that, by constantly writing, you and I are NOT skipping the workouts.

So, for whoever penned that witch scene, you and I are witnesses to that person’s Mr. or Ms. Universe victory (given the nature of the scene, I’m pretty sure the writer was a guy). He won the contest! And I hope he made a bundle of money – maybe sent the kids to college or something.

You and I know that if we don’t do the workouts, we cease to be writers and just sit around, taking up air.

The message to us here must be that we gotta keep doing the workouts, keep writing, and keep submitting our stuff, because you never know when you’re going to Mr. or Ms. Universe.

I mean, it worked for the witch!