John D Reinhart

Phineas Begins Anew

I’ve added the first chapter of my most recent rewrite of Phineas Caswell, the novel, variously called Marigold’s End, Phineas Caswell, The Journal of Phineas Caswell, and The Treasure of the Tres Hermanas. Those are the ones that come to mind – I guarantee there are more.

My brother told me a story once about an old man who carved elaborate, beautiful wooden doors. He would sit at them day after day, whittling, cutting, shaping, without end. Someone asked when he knew a door was done. His answer was simple: “when someone takes it away from me.”

Yuck.

Phineas, the novel, is headed for online publishing: I’ve been told precisely 753 times that this story doesn’t lend itself to the young-adult publishing model. I was actually told that by the head editor at Disney – yes, that Disney. I believe that one was the Journal of Phineas Caswell…

Suzanne, the love of my life and my editor (all the same person), prompted this last rewrite. And believe me, this is the last one – I’ve twisted this poor kid so many ways from Sunday his name may as well be Larry. Reach inside, she suggested, but not for what you know, what you feel.

Beyond queasy, I didn’t know quite what she meant, but eventually figured it out.

Chapter One, over on the page called Phineas the Novel, comes from down inside. It comes from a place of regret, of something lost than can never be regained. It’s not a generated feeling – I have some regrets, believe you me. I sold that hillside, ocean-view house for $175k when today you can’t touch it for under two million… just kidding (although, I did sell that house, and I do regret not having two million bucks).

My daughter cried when she read it and said “you can’t start a children’s story this way.”

Tells me we’re on to something!

Do me a favor and visit the Phineas the Novel page and let me know what you think.

Thanks!

Confessions of a Paid Churnalist

I’ll admit it: the money was dreadful. Some months, most months, I was lucky when I made a dollar. A buck, a petty king’s ransom, for my heroic writing efforts. Pieces carefully crafted, worked, worked again, researched, pieced together from a number of sources, and for what… in the Content Farming heyday perhaps $15 – not bad for a 500 word essay. Now, no upfront pay, but perhaps $0.83 in royalties when someone stumbles across it.

I was a big wheel at Triond, an online content farm that pumped my work out to dozens of online sites. Yes, they paid me, and it was exciting. I have well over 100,000 reads on my work now, all of it the produce of farms designed to drive online advertising results. But the big wheel at Triond has ground to a halt, as Triond itself slows down, its servers somehow tangled up in an unending maze of tumbling wait icons.

Triond, Associated Content/ Yahoo Voices, Factoidz, the places where I could write and find ready publishing, gone. The era of the free-form content farm has passed.

In fact, it’s not a surprise that the era of free-from content farming has passed: it was sort of a scam. Triond is still going, but their site is seriously dysfunctional. All of these sites pursued the flawed business idea of flooding search engines with search-term rich content in an effort to lure advertising dollars to them. The scam consisted of using robots to lure robots to generate money, and it worked, sort of. The advertising robots got smart and stopped falling for the crop of search-term articles from the content farmers, and the money stopped flowing.

I did good work. I was careful with my facts and figures, and I traced my sources. And I turned a blind eye to the dreadful writing of my starry-eyed colleagues, encouraging them, helpfully pointing out places one might say “we weren’t the ones” in the place of “we wasn’t…”.

In the end, though, it was churnalism – the rehashing of press releases into news. I found a lot of really good press releases, and really did develop stories, but, alas, it was still based in someone’s press release.

If you have read this far, perhaps you, too, thought you were the one who was going to make it big in online writing. Man, I had over 200 articles going at once. At once!

Good dreams die hard. Maybe the era of free-form content farming has passed. But maybe that tricky old Internet will come up with a new way for hard working churnalists to make a buck!

A Paying Venue

Here’s good way to make a buck as a freelance writer. You know that writing opportunities abound on the Web – you can write all day long, on virtually any subject, and find a way to publish it. But making a nickel at it… well, that’s a little different.

Writer Access (writeraccess.com) pays you to write copy for their customers. You’ll see from their website that they offer themselves as sort of a writer bank, from which you, Mr. Customer, can hire freelance writers to do your job. They’ll pay you, o Freelance Writer, a percentage of what they make. That can range anywhere from $1.75 for a 150 word piece of advertising copy up to $37 for a full web page. They pay you within two weeks of their receiving funds from their customer.

You have to qualify as a writer for them by submitting a thorough resume and completing an online questionnaire. Once they accept you, you must complete a really tough Writer’s Test, not designed to wash you out but to rank you among their scadillions of writers.

And they have scadillions of writers. New jobs are posted almost daily. They come in batches from companies seeking writing services. Sometimes the jobs can number in the low hundreds. If you are not diligent and scoop up the jobs right away, they will quickly vanish into the hands of other, more aggressive writers.

Writing topics are assigned by the company seeking the job, and range from monster truck suspensions to things you need for your new apartment to medical supplies.

Once your piece is written, it is reviewed by Writer Access’s editors to make sure it hits the customer’s target. The customer then reviews it and either accepts it or turns it back with a request for revision. Once it’s all done, the company accepts the piece and pays Writer Access, and Writer Access pays your PayPal account. It’s smooth, engaging, and pays pretty well.

The key is to visit their site often, and dive on jobs the minute they appear. Some may be technically beyond you, such a blog post discussing the best way to use a certain kind of vacuum pump, but others, such as advertising copy for a table lamp, might fit perfectly.

Don’t expect to pay your rent through Writer Access, because jobs come and go, but make them just one of your resources and have fun.

You will be amazed at what you can do!

Back on Examiner Again

Writing online for certain publishers is always a great rush. I enjoy watching the number spiral up at ScienceRay.com whenever there’s a chance to post an exoplanet piece. And getting published at Examiner.com is always a delight.

Examiner does a great job of making you feel like a part of their writing team. You get the job title of “Examiner” for whatever city you live in – I am the Santa Barbara NASA Examiner. At $.12 in earnings, the title hasn’t quite justified the expense of business cards, but it is nice to have one. Here’s the latest of my pieces published by them, the first in three years!: http://www.examiner.com/article/nasa-announces-forum-on-manned-missions-to-mars-1

The world for writers has changed, and will remain so just as long as the Internet stays free. When access to the world wide web is taxed, this wonderful opportunity to share your thoughts with the world will be lost.

On a slightly different note, the folks doing all that exoplanetary research have made an outstanding discovery: an Earth-sized, rocky-core planet orbiting another sun. You can find more about it here: http://scienceray.com/astronomy/earth-sized-exoplanet-discovered/

The Laughtrack is Not Dead

You remember those sitcoms from the 60’s and 70’s, don’t you? The ones with the canned laughter, like Bewitched and Gilligan’s Island?

Try out this experiment and see what you think… watch Edie and Eddie Open House, here: https://www.youtube.com/watch?v=RCNUVClEp8w, and then watch Edie and Eddie New House, here: http://youtu.be/iQWdxj3pgKE.

Which one did you like better? The laughtrack comes from a pantomime video made by a Spanish fellow, and has just enough audience ambiance to make you think that maybe, maybe, someone really is watching.

In theory, you are supposed to like the laughtrack version better, because someone else is laughing. I’ll let you be the judge of that.

Don’t judge the quality of the video: it’s crummy. The point of the exercise is the audio, not the video. Concentrate, would you?

Let me know what you think!

What’s in a Name?

While we write our novels one at a time, we writers have to think about each book as part of an enterprise. How many books are in the Harry Potter series? Septimus Prime? The Name of this Book is a Secret? If a publisher is going to look at you, of course they’ll look at your talent as a writer, and at the ideas in your book. But they are looking beyond it, too. Is this an idea that has legs? Will there be more than just this one book? Do we want to invest our publishing machinery on a single book?

To that end, my book, PHINEAS CASWELL, is now titled MARIGOLD’S END. It ties in with the story, has a dramatic hook, and has the legs to be part of a series, which it will be. Number one in a series.

The energy behind the new title bled over into a new cover, which I think is exciting and intriguing at the same time. Now we’re getting somewhere!

Eliminating Was

Writing for the now, writing with action and verve, can be a challenge. Lets’s try that again: it can be tough to write good action sentences. Passive sentences certainly have their place in expressive, contemplative and descriptive passages. But they can spell death for an action scene.

Lothar was waiting behind the door, anxiously clutching the hatchet. VS Lothar anxiously clutched the hatchet on the other side of the door.

The second sentence implies action and shifts the focus to Lothar, where the first sentence describes what was on the other side of the door.

I issued this challenge to myself in the reworking of Phineas : eliminate the word “was”.

To accomplish it, I used Word’s Find feature to examine each instance of the word and come up with a better alternative. The word absolutely fits in some circumstances, such as in dialog. But, in most cases, a better word choice, and perhaps a more expressive sentence structure, can usually be found. I mean, you can usually find a better word choice!

Was is a pervasive word that can drop an anchor on your action passage.

The Exoplanet Mystery Continues

The readership puzzle surrounding exoplanets, those planets that orbit stars other than our own, continues to deepen.

My articles with the word “exoplanet” in their title have an immediate and extensive readership compared to those that do not, even though the article search terms are the same.

Readership numbers at Science Ray, my science article publisher, leap through the roof when an exoplanet piece publishes: my daily readership shot from 150 to 2,200 with this latest piece. The numbers are slowly declining as the piece ages, but the boost in the daily average remains mystifying.

I feel like Butch Cassidy: Who are these guys?

A New Cover for Phineas

The world of book publishing has changed with the advent of online publishers like Amazon and Smashwords. Those of us reared in the old school of agent/publisher/bookstore have to rethink our method of distribution.

Part of the online distribution involves attracting potential customers with an attractive, alluring book cover. Traditional book publishers have teams of artists that know what will sell, what will appeal to which audience.

When you shift the publishing burden onto your own shoulders, YOU are that team of artists.

A few caveats: first, and most important – I have every intention of getting this book published through traditional means. My sincerest hope is that one of the Big Five will like it and pick it up and one of these days I’ll be in a Barnes and Noble, and, hey, that’s ME!

Another caveat: I am no graphic artist. I’m a pretty good technical illustrator, but fine art and I are distant cousins at best.

Final caveat: this is not the final cover.

All that being said, the reason I’m presenting this cover here is to show you what can be done cheaply and on the slick. The ship is a 1/72 scale model, The Black Swan, by a Russian company called Zvezda. It’s not quite done yet. In fact, she’s the same ship as in the masthead of this site.

I lifted the ocean from a painting of an American frigate – I don’t think it was in the public domain, but I’m using so little of the painting I think the artist, who is probably long dead, would be able to identify his fine, fine artwork.

Phineas, here with longer hair than in the story, is actually my daughter. The image was lifted out of a shot of her and her mom at the Mission San Gabriel two years ago. I thought the pose was right, and, well, at ten years old, she didn’t have a female shape yet, so she could pass for a boy.

The pieces were all assembled in GIMP, a free image manipulation program available at GIMP.Org. Once I got the image blended to where I liked it, I exported it as a JPG file. Then I opened the JPG with my old Illustrator 2.o, added the titles (which are in a font called Lithos Pro) and exported the completed file as a PNG. I remember someone telling me that size is important in graphics, so I sized the PNG at 8 inches tall and 6 inches wide.

So, it’s not the final cover art, but it’s a good first shot. I’m hoping I won’t have to use it or its cousins because a major publisher and their team of artists will take over all of that.

Still, it’s amazing what you can do with a few easy graphic pieces, some software, and a couple of hours.

An Exoplanetary I Told You So

The Kepler space telescope recently discovered a planet orbiting not one, but TWO suns. This new exoplanet may not be a very nice place, but conceptually, it could be a fascinating place.

Luke Skywalker’s home planet of Tatooine may be in a binary system, which explains why there are two suns in the sky as he woefully ponders his future over the swelling John Williams score in that scene that every guy knows by heart: “the future awaits”.

The “I told you so” comes because I wrote a screenplay a long, long time ago about the beings on a planet that orbited a binary system. Their circumstances were not as wild as those on Keper 413-b, where the seasons change with a frightening unpredictability and speed, but there was one clincher: every few thousand years the icy planet’s orbit took it between the two suns, changing it from an ice ball to a fireball. The resident beings had been modified from simple lizardlike animals into highly intelligent, sensitive beings by consciousless meddling humans. Where before they simply dealt with the stunning climatic change at an atavistic level, now they had to face it with sentience. It was a good story, but a crummy screenplay.

Still, you can ignore the prescience, can you? The farther we explore the universe of exoplanets, the more we will find that our wildest fantasies could actually be memories!