novel writing – John D Reinhart.com

Character Hijackery Part II

It’s been a while, but I previously posted a bit on how the voices in your head sometimes take over your story. Oh, wait, I just said what this entire post is about. Rats.

Finishing Things

I’m working on my third million dollars. Yes, I gave up on the previous two…

Character Thievery

Damn their eyes, these characters!

They say things you didn’t expect, do things you didn’t think of, steal your gosh darn story right out from under you.

The Curse of the Black Falcon

I grew up in the pre-digital age, spending many an early adolescent hour at the worktable, building plastic model kits. Airplanes and ships – those were my specialties…

Wait, wait, wait… don’t go skipping away thinking this is some nostalgic, back-when-I-was-a-kid kind of thing. Just hang tight for just another couple of paragraphs or so and you’ll see that this applies to you – yes you.

Five Years to Independence: Year Five – the Year of Independence

So, here we are at Year Five, the Year of Independence. This is the goal, the island to which we’ve charted our five year course, the one thing we’ve focused on and worked on and planned on.

So, like, what is year five?

A Penny at a Time

Here’s something you hadn’t thought about. Think about this: you’re a writer, you know how it goes. You live in words. A well chosen word is worth a thousand pictures.

If you’re like me (you have my pity) you find yourself working more and more on the tiny keyboard of your phone. It’s so easy to just jot down ideas.

However. Howevuh. How Ev Er.

Five Years to Independence: Year Three – The Year of Accomplishment

Welcome to year three of the Five Years to Independence program. Or system, or scheme, or deal… what it’s called isn’t as important as what it is. What’s in a name?

Name notwithstanding, this is not a self-help program, or a get rich quick scheme. This is just a different way to view the road you’ve traveled, and to adjust your thinking to find success in the way ahead.

Here’s something I hadn’t considered but is true: although this program is meant to help you if you know you’re talented, have spent your life hiding from it, but now realize you must become who you are, this scheme actually works if you’re living on your talents, but want to move up to a higher plateau. I know this because I developed this thing to turn my own life around, and am now using it again to further my products (the novels Droppington Place and Marigold’s End). You marketers: did you see this shameless plug? Shameless.

Year one, as we recall, was the Year of No Regrets, in which you stopped whacking yourself upside the head for not having explored your talents when you were younger. You changed the way you looked at the past, recognizing that the road you took led you to this new road.

Year two was the Year of Confidence, in which you viewed yourself as the creative talent you know yourself to be. If you dance, in this year you become a dancer, or a writer, or a painter, or a videographer. The Year of Confidence is the year in which you stop hiding behind the ordinary to finally be the extraordinary person that you are.

The secret behind these two years of mind-changing is that you were also practicing your art: working on your talent, albeit behind closed doors. You did this so that, when you announce to the cosmos that you ARE a singer, you’ve been singing for at least as year. That’s the keystone to this whole project: stop hiding from your talent, stop regretting that you’ve waited so long, and USE IT!

If we do a bit of math… let’s see, carry the one… that brings us to Year Three: The Year of Accomplishment.

Here is where the chicken hits the road. In this year, we move our art from inside ourselves out into the world. Yes, into the world.

Years ago I worked for a major international bank, helping people find solutions to their mortgage problems. The management catchphrase in use there was “if you didn’t document it, it never happened.” Essentially, if no one saw the transaction, it never took place.

In my revision of myself, I realized that a writer who thinks about writing but doesn’t do it is not a writer – he’s a thinker. A writer writes.

But that’s not quite right, is it? If I wrote beautiful poems every day, but kept them hidden in a closet, or burned them, is that writing? A writer’s work needs to be read, just as a painting needs to be seen and a song needs to be heard. A song sung to one’s self may be beautiful, but does not further one’s career.

So, this year, we stop singing to ourselves, and we put our talent out there. Out there on the world stage, come what may.

The glory of this age in which we live is that you now, finally, have a world stage at your fingertips. Now you can do your stand-up before a world audience – every nation in the world can see you dance, hear your song, read your words.

That’s an accomplishment, to get your work out there into the world. I’ve advocated doing that throughout the previous two years, if you’re brave enough. If you haven’t been brave enough to do it before, then this is the year you overcome that fear and let ‘er rip.

So, here’s how I faced my fear of the World Stage: It’s a busy place, with a hundred million voices all clamoring for their moment in the sun. Being one in a hundred million is a pretty safe, anonymous place to be. (For example, my books (see the shameless plug, above) are out there, waiting to be read. and have only sold 17 copies so far). That’s a nice comfort. On the other hand, I’ve sold 17 books so far, which means that a shaft of sunlight DID shine on my work, at least 17 times.

So, that’s your job this year. Put yourself out there, either in the safe and comfortable way of YouTube or Instagram, or, as I did, pushing my online published work to literary agents (can you spell “rejection letter?”).

Do it. Don’t hide from it. If no one sees your dance, how can you become known to the world as a dancer? Don’t forget, that’s the point of this whole exercise.

You’re a talented individual who has hidden from that talent all your life. You can keep hiding, or you can become who you really are.

“Be brave, little Piglet.” Owl’s stentorian tone emboldens little Piglet to hold on and endure the flood of the Hundred Acre Wood, according to A.A. Milne’s Winnie the Pooh.

You and I, we must be brave. What is talent, except the bravery to do the unusual, isn’t it? The talented have a vision, a world view, that needs to be shared.

You’re talented. Let’s get out there and share it!

This is really long-winded, I realize, but it’s important.

Ideally, by the end of the Year of Accomplishment, you’ve exhibited your talent in a place that will get you noticed. Ideally, that shaft of sunlight will illuminate your work, and you’re on your way.

The first time I ran this program, my Year of Accomplishment took two years, at the end of which I made the leap from under-employed customer service rep/novelist to technical writer/novelist. I became a writer.

I’m in another round of the program, with the goal of accomplishing the title change from technical writer/novelist to novelist/technical writer. I’m in year two of that accomplishment. The accomplishment will be to get seriously published: that’s a big one.

Like the speed limit on the freeway, the five-year structure of this program is just a suggestion: it may take you seven years, or six months.

Thanks for staying with me. Two more years to go!

Oh, and, visit my Smashwords page, or my online home.

Five Years to Independence: Year Two – The Year of Confidence

If you’re just tuning in, this series of posts is about a self-improvement (ick, I hate that term) a self-developmental program that I’ve put myself through twice (yes, twice) which I call Five Years to Independence. If you follow the steps, yes it takes a long time, and no, no harm will come to you, and, in the end, you’ll feel better about your talents, and will find yourself accomplished in your field.

This plan works for you if you are not currently using your chosen talent to support yourself. If, for example, you are a fine painter, but you spend your days checking tax returns for a living, this plan is for you. I myself spent half of my life trapped in a succession of customer service positions before I figured this out.

Year One was all about not looking back, about honoring the road you’ve chosen so far in life. Although it hasn’t led you to success in using your talents, it has led you here.

And here is where we begin Year Two – The Year of Confidence.

Although this year is about self-confidence, it’s not the point. The point is that this year you express, believe, and totally embrace confidence in your talent. Whatever it is.

If you dance, this year you are a dancer. If you write, this year you are a writer. If you act… and so on and so forth.

This is the year in which you give yourself permission to be who you really are. You stop making excuses as to why you’re not that person: you be that person.

It takes a lot of courage to stop thinking of your talent as “well, you know, I dabble in watercolor,” and to instead refer to yourself as a painter. But that’s what this year is all about: courage.

One of the key parts of last year, the Year of No Regrets, was that, while you stopped kicking yourself for never having trusted your talent, you also worked in your art. You wrote, danced, sang, built a resume, even if only you saw it, which says Yes, I Am That Artist.

So, in fact, you are that artist. You write/dance/sing/act/paint. Whether anyone has seen it or not is immaterial. There is now artwork in the world, which you created. Artwork, by its very definition, is created by an artist. And that’s you.

Now, if you skipped the working part of the first year, it’s okay. Start working now. Now. Don’t put it off, or you’re wasting your time.

So, yes, that is who you are, but it does take some courage to admit it. You don’t have to go get new business cards. You need to tell your heart of hearts every single moment of every single day that you are a practicing artist. If you doubt yourself, look at the work you’ve accomplished.

If you are a performance artist, your road is both more difficult and more rewarding. A painter’s painting is a forever thing, but that moment when you catch the audience’s heart – that is fleeting. If you’ve ever done it, you feel it in your soul. For you to practice your art, you need to put yourself in front of an audience so you can pursue and perfect those moments. It’s harder, because you need to be cast in role – I recommend acting classes, either in workshops or for college credit, or both. Community Theater is always a very useful option. But it is so rewarding, because those little moments are such emotional highs. I know, spoken like a true actor. Funnily enough, I chose writing instead.

So, do you now what to do here in Year Two? Be it. Live it. Stop dreaming of it and become it.

So, here is my caveat about the Five Years to Independence: you have to define success. You don’t quite see my name on billboards, or find my novels at Barnes and Noble (yet).

Here’s how the plan has worked for me: I spent literally twenty-eight years in the customer service industry. Starting as a simple rep, I worked my way up through the ranks until I was a corporate director. When that company was sold, I moved on to become a partner in a service business, where my primary function was customer service. All the while, I dabbled in acting, in voice-over, in writing. The Great Recession crashed my business, and I found myself working part time at Bank of America helping people negotiate their failed mortgages.

It was then that I started this program, having built it as I went, and figured out who I really was, and what I wanted to be. I wrote my brains out in the Year of No Regrets, and sold my work for pennies to a number of online publishing sites. In that year, I became a writer.

In the next year, I decided to focus on a practical use for my writing, and learned how to be a technical writer. In the summer of that year, I got myself hired as a full time technical writer.

That, to me, is a huge success. I make my living, pay my bills, support my family, through my art as a writer. I no longer say that I dabble in writing – I do it every single day. It’s not prose or poetry, but it’s my art. And I love it.

To be sure, there’s much more to come – I have two novels, Droppington Place and Marigold’s End, that I’m marketing right now (for you marketers out there, did you notice how I slyly built two links right into this post? I know, I know, brilliance at it’s best).

The caveat, then, is that you must define your success. Getting to where you want to be requires mapping a road. Now that you are confident as an artist, you need to start thinking about where you can ply your trade.

That comes next, in the Year of Accomplishment!

A New Boss

You’re a writer, you know how it goes. You settle on a project, or maybe two, and you burn the midnight candle until it’s just a smoldering stub, and you tell everybody what your project is and how it’s your end-all-be-all raison d’etre and stuff…

But it isn’t. You fight the words and wrangle them into place. You beat yourself silly trying to find that structure, that style that sets you apart.You work until your mind bleeds to find the description that’s never been made.

But it doesn’t come.

It’s all the same hack.

I know. I’ve been hacking at the same project for, like, ever…

What to do, oh what to do.

Here’s something terrible that I shouldn’t tell you, but maybe you’ll see it.

I invented a producer, my writing boss. I gave her, (she’s a she) the complete and total task of managing my writing.

With Sydney (her name’s Sydney) in charge, I can mentally offload the task of managing my production to her. It sounds crazy, and I’m certain that is, but it has made my writing much easier.

Sydney’s a breeze to work for, because she doesn’t really exist, which means she hardly ever yells at me!

Yes, it’s nice to have a boss in the writing biz, even though, and I know you’ll agree, it’s crazier than a bag of wieners.

Now I just have to figure out to hit her up for a raise!

Goodbye, Baby

Stand by to eject bathwater on my mark.

Standing by, sir.

And…mark.

The bathwater is terminated.

Nice shooting, Lieutenant.

Roger that. The baby is outta here. Repeat: the baby is out of here.

Big ten four. Stand by for towelage.

Uh, negatory. Sorry. No can do.

Disregard that. Stand by to commence towelage on my mark.

Uh, sorry, skipper. No can do.

All hands, stand by. What’s with this gloomy Gus guff, Lieutenant. I believe I gave you an order.

Ten four on that, skipper. But, we don’t have, a, well…

Don’t tell me you ran out of towels.

Negative, sir. It’s just that, well, we ejected the baby with the bathwater.

Mongo Santamaria! You’re telling me we tossed the kid out the window?

Like a bullet, sir.

Well, there goes the towelage. All hands, prepare for battle stations. Angry mom at eight o’clock!

It turns out, writing a book is great fun. And it is great fun. Even though your imaginary friends, all those little voices in your head, drag you through the very depths of despair and pain and agony, the fact that you share that with them, that you are a witness to their travails – is an honor and a delight.

Oh, sure. That’s the cat’s pajamas, that part. Like ice cream for dinner every night of the week. Best of all, you tell all your friends that writing is the pits, it’s the worst – you feel like a zombie…hour after hour, typing, thinking, scribbling, coffee, beer, whatever. While, actually, your inner you goes “teehee, this is the best!”

Welp. The party’s over. They ate the pretty balloons. It’s crying time again, and you’re gonna leave me – I can see that faraway look in your eyes. Why must we get offa this cloud?

BECAUSE I PUBLISHED MY BOOK!!!

Yes, there is one more moment of glee, and that is when you join the Club of Shakespeare. All the world is a willing audience, hungry for your written words, longing for your thoughts, your ideas… and, once the book is published… Yo, lookit me, feedin’ the masses!

It’s a cerebral joy, and stunningly short-lived. I found no Disney at my door. Discovered Dreamworks dreaming of someone else. Ran across Random House randomly choosing someone else’s house.

No, the party’s over. Now comes the drudgery, the mind-numbing torture, of figuring out how to market this darned thing for real. It’s no longer a game, or a funny idea. Now it’s work, work, work, to get this product sold and out, into the sunshine where it belongs.

What? What’s that? How can you find it? Well, bless your generous soul, you have come to the right place. Let me pull your chair closer to the fire. Move it, dog. Make way for this most spectacular person.

Because you are you, and you’re a friend, I’ll let you have the book…for free!

No strings attached. Freebie. You go. Although, if you found it in your heart to write a dazzling review, I’m sure no one would be opposed to that…

Find DROPPINGTON PLACE here: https://www.smashwords.com/books/view/618049

Now, this is important: type in the coupon code NJ38D. When you do, the most wonderful book you’ll download with your free coupon will be yours – for free!!!

Of course, you could also visit the author’s site, PhineasCaswell.com.

Now, to find that baby…

The End of an Adventure Begets Another

Well, my friend, we’ve sailed over the horizon, haven’t we? I mean you, and me, and my novel, MARIGOLD’S END, the final chapter of which is now posted on this site, right here.

Yes, the final chapter, the au reservoir to our friend Phineas, and the Kathryn B, and all those cool nautical cats. If you’ve been keeping up, and I know you have, you’ll know we left young Phineas leaping for his life from a stricken ship, the crack of a pistol ringing out behind him. This book literally ends with a bang.

If you been keeping up with this blog, you’ll know that this book writing business is a twofold affair: there’s the art of writing the book, and the science of getting someone to buy it. That’s probably art, too, because, in science, you’re supposed to be able to repeat experiments and get the same results. Good luck with that in marketing!

So, you ask, what’s next?

Well, I can tell you that gorilla marketing, for all its flashy allure and exciting verbiage, is a rather slow-and-go proposition, with lots of slow and very little of anything else. The line of people lined up around the block to read my book is sort of a line of one, and my feet are complaining about standing here.

In Field of Dreams the guy says “if you build it, they will come,” which is very catchy and enigmatic. He left out the time component: they will come tomorrow, or next week, or when the moon shines bright on my old Kentucky home. Or, and this is the one we all dread, they will come one at a time, quietly, unannounced, and go away. I’m a major sucker for jingoism, but I might just have to let this one go.

If you build it, and your work your keester off to grab their attention and you give them something in return for their visit, then they will come. Writing your book and telling the world about your book isn’t enough.

You got to get up every morning with a smile on your face and BELLOW to the world about your book. If you’re a good bellower, you can convince the world to bellow on your behalf, but you have to be bellower number 1.

I’m bellowing over here, with yet another of my sneaky, hey, are you trying to confuse me?, get-rich-quick, zero effort marketing schemes. It’s a site called Phineas Caswell.com – and has an interesting premise: Phineas Caswell is the author. Well, interesting to me, perhaps. You’re a writer, you now how it goes.

What if there was this curious site to which the curious reader could travel?

I agree, the site is snoresville today, but it will change, my friend. Ohhhh, yessss, changes, they are a comin’.

So, to accommodate the change in authorship, Phineas Caswell, the nautical hero in MARIGOLD’S END, has generously agreed to change his name to Benjamin Dilbeck. Not Ben, not Benny, Benjamin. Whaaaat? You cry, aghast. Trust me, Obi Wan, you’re the only one who can… it will work.

Say, this is quite the post, eh what? A chapter released over here, a new website over there… goodness, will it ever end?

Afraid of Being Scared

Even the bravest fellas fall victim to the heeby-jeebies, don’t they? Now matter how many mummies you’ve faced in closets, doncha think there’s one creepity creep that just plain scares the crackers out of you? I’m sure Cap’n Kirk must have had, like, ten minutes of total flip out when they told him he would have to fistfight the Gorn, didn’t he?

I mean, if said creepity being didn’t exist, wouldn’t you be sort of like Superman, or Evil Kneivel? You’d be, like, bring it on over breakfast, wouldn’t you? Gasoline and cigarettes for lunch? Whawhooof – dang, lookit that fireball! Doesn’t scare me.

It turns out that finishing the book, while difficult, was nothing compared to the next challenge, the real issue, the stay-awake all-nighter of all time. You’re a writer – you know. Having somebody read it. Duh-duh-DUH!!!

There must be ten million what-ifs running through my head…what if they don’t like it…what if I left a bajillion typos…what if they don’t get my hero…what if they put it down and tell me I’m STOOOPID?

The difference between a novelist and someone who says I’ve always wanted to write a book is that the novelist writes it. They face out the evil task and do the deed.

The difference between a novelist and a published author must be this next step of leaping across the yawning chasm of what-ifs and approaching the external reader challenge calmly and professionally. Thank you, sir, may I have another?

It’s not that I haven’t had other readers – one of my daughters actually liked it. The other hasn’t quite gotten around to finishing chapter two. My wife almost finished if, and my sister got well past the middle. Perhaps it’s too long…

So, it’s down to paying a stranger to read it. I’ll give you fifty bucks to read my book…wanna buy a watch?

Maybe they could give me some tips and pointers about the book…except that I am so beyond the tips and pointers phase. That phase was, like, two rewrites ago. This book is the bomb, the deal, the cat’s sleeping gear.
This one is better, brighter, more connected. This one is good.

Soooo, what would a reader do? Find my errors, I guess. Tell me they didn’t get it, I imagine. Probably tell me it’s too long, maybe.

I’m not afraid of the reader. I’m afraid of the rewrite if they don’t like it. Or, should I pull a Captain Kirk and boldly go to publishing?

Do you see? Can you feel the terror? Can you see how hard this part is? This is literally like seriously hard, like trying to land a B-52 on a football field at night during a hurricane hard. Passing a watermelon through your nostril…well, maybe not that hard. But hard!

So, Mr. Knievel, you may have the motorcycle and the cool jacket…wait a minute. That’s just costumery stuff to make us think that you’ re brave, but maybe you have the heebie-jeebies, too. Maybe some things make Superman do a little squirt in his shorts, too. THAT’S why he wears that cape!

There’s no antidote for the heebie-jeebies but to do what you’re supposed to do.

Be brave, little Piglet.

Oh, Owl, I’m afraid I’m scared!

Stick a Fork in Me

Done like a ton of finished, like a taco casserole in a thousand degree oven I am done, done as the day is long, done. Finito. Wrapped it up. Did the deal, finished across the line with a big ol’ smile across my face. DONE!

72,584 words of pathos, humor, and history all wrapped up in a nice little package featuring my friend Phineas, who gives up, gets angry, blows his top, cries, and finds his father, all the while fighting a running battle with the sea. Phin, my boy, carped at by the ship’s sailing master, driven to near distraction by the French king’s granddaughter, and called every harsh, rude, hurtful name in the book, tries to find his way, figure out how he got thrown into the seagoing gulag that is the Kathryn B.

Not a spoiler alert, not here – you’ll have to read for yourself how this one turns out.

In fact, my next step is to find a reader. Someone who can be honest with me, but someone who knows a thing or two or three about the Young Adult Fiction business, what they’re looking for, what will float, what will sink like a stinking stone.

Really, my next stop is on the publishing wagon. Get this monster read by someone with brains, rework it to their thoughts, and then Wordsmash it or Yahoo it or Amazon it or something.

Really, the next step, which starts tomorrow, is to think about marketing. Building the old platformaroony that will carry this book into the bazillion dollar sales range.

You, my friend, need not worry. I will not try to sell you a book. You are my only reader, and I thank you for sticking with me. Stay with me, sail with me over the horizon of the publishing adventure. I promise to tell you everything. The rewards could be great.

For now, the goal is to simply enjoy 72,584 words of doneness. Finitoness. Ah, sweet victory, thy name is Phineas.

The End of the World

It could all be whipped away from us in the very blink of an eye, this trusty old world of ours. I might not even be able to finish this post because the dumb old world ending thing might happen fir… st. If you’re a fan of Dr. Who, it almost happens every week.

On a totally different subject, my wife and I were talking about absolute cold… well, I was babbled about it and she was very nice… absolute cold. So cold that all of the heat is drawn out of the molecules, down to the quarks and their cousins falling to infinitesimally small particles of nothing, but not falling because there is no energy. No energy, no heat, but absolute cold. Maybe that’s the end of the world.

Or, maybe it happened today, when my daughter told me that maybe I should reconsider my book – you have a good idea, there, but maybe you should write it this way. Excuse me? Excuse me? Excuuuuuuuuse me? You’re my kid. You’re supposed to think it’s better than Gone with the Wind, for crying out loud. Maybe it would be better if…?

It’s not the end of the world, but, you’re a writer, you know how it feels.

This afternoon was supposed to be a nice editing session, powering through the last quarter of the book, reworking working sentences into elegant, beautiful descriptions of the human condition.

He pulled the trigger. The pistol exploded in fire and smoke. The pirate swore and ran for the ladder. Lah dee dah dee dah.

Maybe she’s right. Maybe I should sit down and write a book like J.K. Rowling, or Stephen King. Yes, perhaps I’ll try that. Maybe I’ll just write version seven of this stupid book off as a whim, one that’s lasted a good six years, and do something else. I hear that wallpaper’s easy to hang. Taco Bell’s hiring.

It’s not the end of the world. But some simple conversations can cool your heart until the quarks cease their tiny orbits.

Now, I’m not complaining. I am sharing this with you, dear writer, because the day may come when a loved one delivers to you the blow that ends your world, your entire universe.

But you know that you’re good – you just have to hold onto that, because you ARE good, dear writer. And tomorrow the sun will come up and the absolute zero in your heart will thaw, and your muons will start their crazy dance, and life will go on.

And you’ll think about what you’ve been told, and you’ll put it into the salad bar of your mind, right next to the windmills, and continue your work.

See? It wasn’t the end of the world.

Phineas Begins Anew

I’ve added the first chapter of my most recent rewrite of Phineas Caswell, the novel, variously called Marigold’s End, Phineas Caswell, The Journal of Phineas Caswell, and The Treasure of the Tres Hermanas. Those are the ones that come to mind – I guarantee there are more.

My brother told me a story once about an old man who carved elaborate, beautiful wooden doors. He would sit at them day after day, whittling, cutting, shaping, without end. Someone asked when he knew a door was done. His answer was simple: “when someone takes it away from me.”

Yuck.

Phineas, the novel, is headed for online publishing: I’ve been told precisely 753 times that this story doesn’t lend itself to the young-adult publishing model. I was actually told that by the head editor at Disney – yes, that Disney. I believe that one was the Journal of Phineas Caswell…

Suzanne, the love of my life and my editor (all the same person), prompted this last rewrite. And believe me, this is the last one – I’ve twisted this poor kid so many ways from Sunday his name may as well be Larry. Reach inside, she suggested, but not for what you know, what you feel.

Beyond queasy, I didn’t know quite what she meant, but eventually figured it out.

Chapter One, over on the page called Phineas the Novel, comes from down inside. It comes from a place of regret, of something lost than can never be regained. It’s not a generated feeling – I have some regrets, believe you me. I sold that hillside, ocean-view house for $175k when today you can’t touch it for under two million… just kidding (although, I did sell that house, and I do regret not having two million bucks).

My daughter cried when she read it and said “you can’t start a children’s story this way.”

Tells me we’re on to something!

Do me a favor and visit the Phineas the Novel page and let me know what you think.

Thanks!