Character Hijackery

Imagine setting up something really, really complex, like an Ocean’s 11 style casino robbery, or maybe a game of Sorry – okay, maybe not that one – but something really complex, that you’ve puzzled over for months until now, now, this very minute, you’re ready to go. To pull the trigger, dial the phone, hit Execute, or RUN, or whatever it is that sets your plan in motion. Good for you.

You’re a writer, you know how it is. You slave away over your work, because you love it, and it’s good for you, and because you have something that needs to be said.

I’m working on Novel Number 3, tentatively called The Terrible – it’s a joke that plays out in the… rats, I’ve given it away. Well, forget that part.

So, it may seem like I’m rambling, but I’m giving you crumbs. Clues, if you will. Because you’re smart, and you’ll piece it all together.

Did you get anything yet?

Sigh. Okay, here it is. I’ll use little words: I’ve started a third novel. My first, MARIGOLD’S END, is under revision, my second, DROPPINGTON PLACE, is self-published, and I can’t sit here on my hands and just die, can I? I mean, can you?

This third novel is carefully laid out, with four strong central characters. Well, it was four, but, just yesterday, I needed a transition piece, a moment that both gives us time and place and setting, but that also starts the storytelling ball rolling.

So I created this simple fellow – not much more than a name, really – to carry the news of the French ambassador’s arrival. Not so bad, huh? Except that he needed a little background, and a little definition, a little purpose…

And then the son of a biscuit stole my whole story! He’s none of the four dried up, dowdy guys I’d so carefully designed. He’s young, he’s brave, and he’s innocent.   Suddenly, the four guys are bit players to this kid’s story. What the heck? It’s like Ensign Checkov taking over the Enterprise! R2D2 piloting the Millennium Falcon. Wait, what?

All seriousness aside, I’ve been thinking about this story for a while now. My first novel was a labor of love – and very, very hard to write, rewrite, and… I think I’m on the seventh version. The second novel was just plain fun – I wanted to explore Elizabethan words, and magic, and make a young adult story that was positive and generous.

This new one, tentatively called The Terrible (I think I mentioned this already – please try to keep up), is my story. It’s my… my way of giving back. It’s set on the French/Spanish border in the year 1657. No, it’s not the Three Musketeers, but that book has always been my go-to for inspiration and grounding.

So, The Terrible is the story I was created to tell. It’s the novel that I became a writer to write. It’s the story – I think. I know you have a story like that – it’s why you write.

If it turns out bad, I’ll come up with some clever way to dismiss it. But, it won’t be bad, because this is the story. This is my story.

But, and here’s the part that is just crazy, this new guy’s story isn’t mine. I’m somewhere in this book, but I haven’t found out where. You know the guy has power, because he took over my whole dang life story just by getting named!

More to follow…

 

 

Do that Thing that You Do

 

You. Put down those fish crackers, I’m talking to you. Serious – this is a serious talk. No goofing around about anything. Just drop the crackers.

So, what do you do? Me? I’m a writer. It’s what I do. Technical writing, a little marketing, a little blogging, a couple of novels, a couple of short stories. It’s what I do. Working on a screenplay right now.

In fact, thank you for asking, it’s a screenplay based on my own novel, Droppington Place. It’s a funny story… well, okay. You’re right. We’re being serious here.

Have you seen Kubo and the Two Strings? Lovely picture, although a tad sad. It was made by LAIKA, a film studio in Oregon that makes handcrafted, stunningly animated movies. What could be a better fit? What better film company to make a major motion picture out of Droppington Place?

As you know, I’m a proponent of Gorilla Marketing – do little, expect lots. In this mode, we ask ourselves why we must go through all the hassle of selling millions of books. Why could we not simply approach LAIKA directly, make the motion picture, and then sell the millions of books? You know, it’s not really putting the cart before the horse: it’s more like they’re side-by-side. Boom. Anything could happen.

So I set myself out to write a screenplay from the novel. Piece of cake. I know the book forwards and backwards. What if I simply move these scenes around to make it more, you know, cinematographically friendly?

Well, three things happened. Three. You were expecting two, but, hey, it was three. Sorry to disappoint.

First, in reordering the book for cinematographic friendliness, I found a much better flow to the story. Rats. Now the book needs a rewrite.

Second, in retelling the story for the large screen, I found some motivations for characters I hadn’t seen before. Rats. See above.

Third, I had a revelation. A very sad, very tawdry little revelatory affair that hurts to write about, but you’re a writer. You know how it is.

Shakespeare is quoted as having written, “to thine own self be true.”

I was on an airplane, struggling with the screenplay, when the words came to me. Poop, I thought. I don’t want to hear these words.

The words came as clearly to me as if I had written them myself, but I’m not this good. It was simple poetry, and it hurt to read. It said, “write what you want and it’ll be great.”

Write what you want and it’ll be great.

Stop plotting and planning and pushing and prodding. Stop massaging and manipulating and maneuvering and marketing. What’s in here (taps on chest) is what’s important.

“Your lungs?” I asked.

I have written what I hope will sell, and hope you will buy. I haven’t written the Great American Novel. I’ve written something clever and fun and creative, and that I think you’ll like. I like it.

But the calling is to write what’s inside, and I don’t think it’s about my lungs.

What is the story I was created to tell? What can I give to you that will be great enough to make you think, wow, my life is now better? What epic saga lies inside here (taps on chest)?

Poop.

So, compadre, we have to saddle up another horse. It’s a long ride ahead, and now there’s another wagon to pull. Please don’t put the saddle on the horse that’s supposed to pull the wagon – you’ll just confuse things.

Okay. You can go back to your fish crackers now.

Going Responsive

Responsive websites? I always thought your website was responsive if you just answered your emails.

You’re a writer – you know how it is. You toil and slave over your book, you publish it yourself, you get your website, your Facebook page, your logo… and then, who knew, it’s useless if your website isn’t responsive. Useless. Who knew?

While, the standard, desktop, not-so-responsive website still has value if you’re a corporation that sells oodles of things that deserve their own big pictures and stuff, the little screen, however, is clearly the road ahead.

So, what does it mean to “go responsive?” It simply means that you scale your website to look good on mobile devices. That’s it.

Sort of. Once you scale your whole website down to that itty-bitty size, you realize that your whole outlook about your website changes. Gone are the stacked images, the carefully layered pages that had a certain snap to them. Gone are the cool, zoomy galleries of your favorite pictures.

Those big, splashy pages have been replaced with simple, easy-to-read, direct-to-the-point, cell-phone sized articles and galleries and images.

It’s great news if you’re a writer, which you are. All you have to do is write! You don’t have to be a web designer? You just write – that’s really what you and I do best anyway!

PhineasCaswell.com has been a desktop site for quite a while. I built it with Open Element software – free!!!   But, Open Element doesn’t support responsive websites yet. Rats.

For around $30 USD, I found Serif’s WebPlus – I’m running x7, whatever that means. It has a set of really simple templates for making a responsive website. It was seriously easy to make the conversion.

I’m trying to sell my novel, Droppington Place. It’s aimed at the young adult market, which is comprised mainly of mobile device users. Market? Meet website. Website. Market.

As you know, I’m a big proponent of Gorilla Marketing – do nothing and hope for the best. I did a little something by going responsive, and now I don’t have to do anything else. My site is ready for the world to beat a path to my door.

Ah, success.

Oh yeah, I forgot to mention my other Gorilla Marketing project – you’ll like this. It’s called Soon to be a Major Motion Picture. All you have to do is download Droppington Place – do it for free, if you’d like. Encourage your friends to do the same. If your friends tell their friends, who tell their friends, who tell…you get the idea… why, we’ll be way over a gazillion reads, which is more than enough for any savvy movie studio or book publisher to jump on the bandwagon and make Droppington Place into a major motion picture. Brilliant!

So, download Droppington Place, and go tell all your friends.

This is gonna be great!

Let the Marketers Market

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You’re washing your face in the bathroom sink. The warm water makes a pleasant gurgle as it swirls down the drain. It’s California, so you don’t run the water too long.

Suddenly, the water reverses course, and comes up out of the drain.  Thinking quickly, you shut off the tap. No good. The water is gray and malicious, and soon the sink is full. It stops filling before the water spills over the edge, but just barely.

So? What do you do? The sink is full, which means the pipes under the sink are full. Are you a plumber?

In my household, I would attempt to fix it, would flood the bathroom, and never hear the end of it from my wife and teenaged daughter.

“Why don’t you just call a plumber?”

“I can fix it, honey! See, it’s just a… oh.”

Slosh, gush. Gaglub, gaglub, gaglub.

“Nice going, Dad.”

You’re a writer. You know how it is. We write, you and I. Unless you’re a marketing writer, the whole business of promotion and publicity is outside our bailiwick.

So, here we are in the world of self-publishing. I did all the work – I wrote Droppington Place, I edited it, had it read and ignored by family and friends, I published it, I created a Facebook page for Phineas Caswell, I opened a website,  PhineasCaswell, and I even bought a book about Dummies marketing on Facebook.

So far, I’ve sold 4 copies of the book – three to people I know and one that might actually be legit.

By day, I’m a technical writer/illustrator. I do what I do because I enjoy it, and am good at it. I’m not a plumber, although I do get my hands wet upon occasion. But, I am a miserable excuse for a plumber.

So, my writer friend, must it be true with marketing. Here we are in the most freewheeling, enabled, and unshackled time in history for writers – dude, anyone could read your book right now! – but are fettered at the gate of success by a lack of time and marketing knowhow.

The answer is to let the plumbers plumb and the marketers market. The answer is the same as it always was: do what you do best. If you need the help of a specialist, for goodness sake, hire the specialist!  Unless you can do your own dentistry.

As for me, I’ve got to fix this sink before my wife gets home… it’ll all be done and she won’t even know I did it myself until I tell her!

Crack. Gaglu, gaglug, gaglug…

Make Yourself a Magic Virus

Build the San Salvador 4

If you’re sick, don’t read this post. There’s a stupid wordplay about viruses that is, well, so bad that we’re just going to skip it.

When you have just under two minutes free, watch this video: Build the San Salvador 4. How about now?

You know how people eat up those “dude, you had one job” videos? That was the thinking behind this little gem. Have to tell you, it still cracks me up, and I had a hand in making it.

So, why make a movie – especially one as dumb as this?

Three little words, my friend. No, not I love you. Or hands up, suckah. No, no, no… and no, not no, no, no either. Magic, she gasped. Ah, yes, our mantra/manta/bantha.

It’s a tight circle, my friend, this marketing thing. At the end of the video, which is calculated to be just funny enough to appeal to a certain age – the very age I’m hoping will read Droppington Place – is my new little logo, and the whispered word “magic.”

So you, you’re so fascinated by the video, you type in PhineasCaswell.Com, just like you see it in the image at the end of the hilarious video, and there is a link to Droppington Place. You click on the link – blink – why, here’s a nifty book for you to read!

Like a spider’s web, one slimy tendril at a time, you have no choice but to be roped into reading at least the free sample. Bwahahahahahaha.

It didn’t take a great deal of effort to make the motion picture. Sort of like, really? And all this linking is sort of sleep-inducing. And, at the end of the day, YOU have to do all the clicking and reading and stuff.

NOW you can see how Gorilla Marketing works… or doesn’t work, because I’m not doing much work… oy, this get’s confusing.

So, click on the link (HERE it is again in case you can’t find it up there), and repeat after me:

“Magic,” she gasped.

If you’d like to read all of Droppington Place for free, go HERE, and tell ’em you’re not paying a dime today, thank you. Boom. Freebie!

“Magic,” She Gasped.

Magic She Gasped Little Black2

“Magic,” she gasped.

Say it again: “Magic,” she gasped.

Tell your friends to say it: “Magic,” she gasped.

It’s a mantra, unless that’s the bat-shaped fish. Whisper it in your sleep.

“Magic,” she gasped.

What is it? What does it mean? Why should you care?

What makes a Subaru a Subaru? Actually, Subaru puts a comma in their statement – a comma with which I have never agreed. Love, it’s what makes a Subaru, a Subaru. What does that second comma do? It makes a clause out of “it’s what makes a Subaru,” which isn’t a clause at all. It equally makes a clause out of “Love a Subaru,” which is a clause, but  is so widely separated by the non-clause that you have to remove the non-clause to see it, by which time you’ve simply beaten the whole darned thing to death…and doesn’t make me what to buy the car because they have trouble with punctuation.

“Magic,” she gasped. It’s a mantra, or manta. Or Banta if you’re into Star Wars.

I was trying to come up with a way to sell my book, and the only catchphrase I could think of was “buy my book.”

Hmmm, lacks a little something.

Hailey, one of the characters in my novel, Droppington Place, has a fascination with magic – just to point out that there, right in that sentence, is the proper use of commas to separate a clause – which causes her to utter the mantra/manta/banta phrase. Several times throughout the story she gasps the word “magic,” in what I sincerely hope is a running joke.

So, you see, sometimes your characters can give you a hint on what’s special in your work.

But, here’s the dealio, the thing, the bomb, the cat’s pajamas: What happens if you Google search “murder, she gasped”? Well, probably nothing yet, because I just loaded the tags.

But eventually, my impatient friend, you’ll go to either Phineas Caswell’s home page at PhineasCaswell.com, or to his Smashwords Droppington Place page.

If you simply Google Phineas Caswell, whose name appears beneath the logo, brings you all manner of Droppington Placey options.

Is this marketing genius? Does Procter and Gamble sell soap?

Or is it simply some degree of self-delusion that I’m making progress in marketing my book? Self-delusional like a fox!!!

Already, the pieces are falling into place…bwahahahahah.

You, because you’re a friend, can actually skip all the marketing hype and get Droppington Place by simply clicking HERE. When you get there, type in this Coupon Code: NJ38D, and you can get the book for free!!!

Why, that seems almost like…

“Magic,” she gasped.

 

 

 

 

You are the One – Bring Your Wallet

Cow

In the writing business… that is, the business end of the writer’s business, although the writer’s business isn’t business at all, but art – this gets so confusing – not the business of writing art, the business of selling the art, which is a business unto itself, but we’re not talking about that. Actually we are, sort of… you’re a writer, you know how it is…

Restart.

If you are a writer, and you don’t have an agent, you need one. Yes, you can self-publish your novel, but who is going to sell your book for you? You? You’re a writer. You need an agent.

Finding an agent, well that’s the business end of writing. But agents don’t seem to drop out of trees, even if you’re absolutely, fantastically talented. I know this from personal experience. That dog don’t hunt. That ship has sailed. You can’t handle the truth.

So, you advertise, in a million different ways. You blog. You join writer’s circles and clubs and chats, and comment your brains out on other people’s stuff. You work like a monkey to get your name at the top of an agent’s mystical list, the agent’s short list, the who’s who of writers in the agent’s Rolodex. Rolodex – boy, that’s a piece of history, huh? Raise your hand if you know what a Rolodex is… uh huh, as I thought. Paltry, paltry.

At the end of the day, you have to face it: you’re marketing – advertising – in the hopes of getting an agent to look at you and say “wow, now THERE’s a talent!”

In the world of Gorilla Marketing, all this effort, all this subtle, almost not work at all, is aimed at just one person. Millions of readers, or in my case, half-dozens of readers, see your blog and comments, read your name… and move on to something else.

It’s like being a daisy in the middle of the tall grass – oh please, Ms. Cow, pick me, pick me! You stand up tall, doing your flowery best to grab a little bit of bovine attention… oh, puleeze…. Of course, nobody wins in the cow analogy. Literary agents are insulted, and you get eaten if you win. But, you get the point.

The point is that if Toyota gets you to run down to your local dealership and buy a car because you saw a good ad on TV, it doesn’t matter if they wasted the time of 30 million other viewers, so long as you buy the car. No, you don’t suffer from incontinence, but some poor sap does, and those commercials might just be the ticket… say, I didn’t know they made underpants like that!

The point is this: you market your keester off, in the hope that one, just one, single set of eyeballs, sees your stuff and says a quiet “bingo.” And when that one sees your stuff and mutters and magic phrase, all your Gorilla Marketing effort pays off, and the future is yours to pave.

Well, here’s to you, my marketing friend. May you hear a whispered “bingo” soon!

Now, if you’re an agent, you can find the first two chapters of my book here: PhineasCaswell.com.

Thank you.

Gorilla Marketing – Again

adult_gorilla_costume_mascot

If you’ve read earlier posts here, you’ll know I’m developing a theory called “gorilla marketing.”

It’s really quite simple: you don’t do anything, and people beat a path to your door.  Usually they bring loads of cash, and things turn out great.

Well, you don’t do nothing, actually. You do some stuff – you know, little marketing things that get people reading you and believing in you and eventually giving you the oodles of cash.

So, here, without any ballyhoo or marketing phrasing, is my pitch: the second chapter of my novel, Droppington Place, is posted on the web, here. It’s totally free.

Read it now, as the price is sure to go up.

Take out your marketing pencils, kids, and let’s just do a little analysis.

Interesting proposal – check.

Product offering – check.

Call to action – check.

Free offer – check.

Dude, it’s all there, and we haven’t really done any work. See how easy this was?

Now, for you to do your part. This involves oodles of cash, so you might want to take some notes…

Just to recap: Chapter 2 of Droppington Place is now ready to read, and you got a nice, healthy sampling of Gorilla Marketing in action.

Wow. What a great day!

Pass me a banana, would you?

 

 

Old Friends and New Ideas: A Marketing Ploy

DPCover 11-23A

It’s not good to close doors. I mean, obviously, if there’s a bear out there in the backyard, you probably don’t want to leave the kitchen door hanging open. But, in general, a closed door means something’s wrong.

The gusty winds of life sometimes close doors you meant to leave open. You think things are swimming along fine, and everybody in your life is exactly where they’re supposed to be, but, whammo, out of nowhere, you find a door has been closed.

It could be the gusty winds of life, or the dusty gathering of old age. But, most likely, the doors swing shut through inattention. Yours. Yep. There it is. You have to look in the mirror for that one, and admit, uh oh, you fell asleep.

Uh oh, Mr. Van Winkle, the kids have grown up and moved to Barstow. How did this happen? Wasn’t it just yesterday we were all so chummy? Now you’re over there, and they’re way over here, and how did you grow so far apart?

It can take a lot of work to open an old door, but it will almost always be worth it. Unless that door leads to a cranky ex to whom you owe money, you’ll usually find a warm and welcome heart, one that is just as surprised as you that the door swung shut.

A door opening to a long-time-ago besty was the inspiration for this bit of news: DROPPINGTON PLACE, Chapter 1, has been rewritten, and is better than ever! Sadly, you won’t find it on this site. But you WILL find it over here, and you can have some fun while there.

The re-opening of a door that was never shut in anger, only through inattention, is a great cause for celebration, and you’re invited to celebrate, too. Enjoy Chapter 1 of Droppington Place.

Did you notice that clever piece of marketing work right there? Dang, that is some fancy voodoo. Your heartstrings are all tied up in little knots about that door thing, and, boom, your right into the novel. You have to admit, that’s the good stuff. Now, if there was just a way to make a nickel from that!

So, here’s your job for today: first, go read Chapter 1 of Droppington Place. It doesn’t have anything to do with opening doors, but will make me feel better. Next, think, think, think about a door you have let swing shut, and go open ‘er up. You’ll be glad you did!

 

The End of an Adventure Begets Another

PC ScreenCap

Well, my friend, we’ve sailed over the horizon, haven’t we? I mean you, and me, and my novel, MARIGOLD’S END, the final chapter of which is now posted on this site, right here.

Yes, the final chapter, the au reservoir to our friend Phineas, and the Kathryn B, and all those cool nautical cats. If you’ve been keeping up, and I know you have, you’ll know we left young Phineas leaping for his life from a stricken ship, the crack of a pistol ringing out behind him. This book literally ends with a bang.

If you been keeping up with this blog,  you’ll know that this book writing business is a twofold affair: there’s the art of writing the book, and the science of getting someone to buy it. That’s probably art, too, because, in science, you’re supposed to be able to repeat experiments and get the same results. Good luck with that in marketing!

So, you ask, what’s next?

Well, I can tell you that gorilla marketing, for all its flashy allure and exciting verbiage, is a rather slow-and-go proposition, with lots of slow and very little of anything else. The line of people lined up around the block to read my book is sort of a line of one, and my feet are complaining about standing here.

In Field of Dreams the guy says “if you build it, they will come,” which is very catchy and enigmatic. He left out the time component: they will come tomorrow, or next week, or when the moon shines bright on my old Kentucky home. Or, and this is the one we all dread, they will come one at a time, quietly, unannounced, and go away. I’m a major sucker for jingoism, but I might just have to let this one go.

If you build it, and your work your keester off to grab their attention and you give them something in return for their visit, then they will come. Writing your book and telling the world about your book isn’t enough.

You got to get up every morning with a smile on your face and BELLOW to the world about your book. If you’re a good bellower, you can convince the world to bellow on your behalf, but you have to be bellower number 1.

I’m bellowing over here, with yet another of my sneaky, hey, are you trying to confuse me?, get-rich-quick, zero effort marketing schemes. It’s a site called Phineas Caswell.com – and has an interesting premise: Phineas Caswell is the author. Well, interesting to me, perhaps. You’re a writer, you now how it goes.

What if there was this curious site to which the curious reader could travel?

I agree, the site is snoresville today, but it will change, my friend. Ohhhh, yessss, changes, they are a comin’.

So, to accommodate the change in authorship, Phineas Caswell, the nautical hero in MARIGOLD’S END, has generously agreed to change his name to Benjamin Dilbeck. Not Ben, not Benny, Benjamin. Whaaaat? You cry, aghast. Trust me, Obi Wan, you’re the only one who can… it will work.

Say, this is quite the post, eh what? A chapter released over here, a new website over there… goodness, will it ever end?